인터넷 심의위원회 배너
.베스트 디자인 미디어 상
우수컨텐츠 로고
윤리경영 이미지
The Highest Quality & Retention of Design
디자인 트렌드를 선도하는 대한민국 프리미엄 미디어 그룹
The Highest Quality & Retention of Design

RAGNO

The majority of interior space of tiled exhibition hall on the market has overly complicated generatrix, too many displays and obsolete samples, so that “balance” becomes the most important theme in our design, which means the combination of tender humanity design and different individual experience. Thus, we intended to organize the whole space with simple and open generatrix. It won’t set a fixed shopping route for customers in advance because we hope to offer a free choice for customers in shopping experience. Through the guidance of different layers of colors and textures, the customers can find out their favorites during exploring. The exterior of this exhibition hall is a total open space without any doors and dazzling array of display windows, so you can almost see through the entire exhibition with your own eyes. The oblique entrance attracts people from both sides naturally. The white bricks with stone-like texture suspended on top is the best-selling product in RAGNO, matching with round glowing logo, it becomes our most suitable wall for display. We use some concepts of designing a clothing store for reference, and we expect a multi-dimensional display of different colors and textures of glazed tiles applied. They could be insertions of blocks, backgrounds of displaying, or a surrounding space of a sunken plaza. The simple division of space not only add fun to customer’s interaction with the area, but also give them a brand-new experience of shopping. In addition, plants, flowers, coffee and different styles of furniture and lamps added to this space reveal our expectation of combining aesthetics of everyday life with the exhibition hall, so that we can bring vigor and vitality to RAGNO naturally, and make it real space of living.

SPACE IN SPACE

Located on the east of Zhongshan Park in Changning District, Shanghai, E3 STUDIO has the largest shooting studio in the downtown. Its covering area is more than 2,000 square meters, which makes it extremely malleable and possible to recreate a new space inside. Its height is more than six meters, which not only meet the standard of the film’s shooting, but also can be divided to multiple stories, enriching the space and areas for usage. Originally there is an indoor barrier with a swimming pool kept the other side. Now we dismantled all barriers and the space was completely open to the air. The bare pillars and walls with rough texture are exposed, and the stairs made of castin-place concrete spring up high, leading to a whole orderly space. The space between spaces is more meaningful than the space itself, but it is also easy to be unnoticed. It is precisely the diversity and complexity of “spaces between” and its uncertainty that make spaces potential with infinite possibilities. Six isolated shooting studios provide the comfort and freedom of the large space. The design was inspired by the frame of the photographic camera. We saw the yin and yang through the frame, and the roundabout, squatting, cushioning, overflowing and blooming. Flowing thoughts and immovable architecture. Through these different sizes of frames, people still can see each other in different spaces and add up the fun. Natural lighting is also improved in the interior spaces. Lighting is also the place where we made the most modifications of the entire interior renovation project. We add light without any traces, and all seems to be born like this. Not a drop of paint was used in the renovation process, since we were afraid of destroying the original phase of the space. In other words, paint is not inconsistent with the original intention of sustainable and green renovation at low cost. The old wood sold in the second-hand market was cleaned and neatly arranged as the gates of the six studios. These half-worn woods seem to be born here naturally. They themselves are worn out because of numerous times of usage. Perhaps it is worthless for others, but those who use it again and appreciate it are interested in its past.

ANHUI INNOVATION MUSEUM

Innovation lies in the gene of Anhui people and is the golden sign of Anhui Province. Anhui Innovation Museum, located at the southernmost tip of Binhu New District, Hefei City, Anhui Province, faces the 800 square kilometers of Chaohu Lake and covers an area of 150 acres, including a construction area of 82,000 square meters. The entire museum is composed of three independent venues to form a circular functional chain of “aggregate display, capture search, research and development transformation” with scientific and technological achievements transformation and trading as the core. As China’s first museum with innovation as its theme, Anhui Innovation Museum will become an important base and pivot for the construction of the province’s innovation system, a platform to display major innovation achievements, and an international high-end innovation and wisdom space in the future. The No. 1 Building of Innovation Hall, which covers a total construction area of about 22,000 ㎡ and a layout area of about 14,000 ㎡, mainly serves as the “display window”. In the three-floor exhibition space, three chapters of “Creating Engine, Creating Wisdom, and Creating the Future” were set up to interpret the vivid story of “Innovative Anhui” from top-level design to transformation and then the realization of sustainable development. From “humanoid doublefooted rescue robots” to “container-type of plant factories”, the museum displays more than a thousand pieces of science and technology exhibits, involving strategic emerging industries such as “information technology, high-end equipment, energy conservation and environmental protection”. These can substantially broaden audiences’ horizons and make them truly feel the innovative vitality of Anhui Province. Highlight Innovative Anhui with Black TechnologyMysterious “quantum tunnel”, cool “quantum box”, and creative “digital sandbox” Integrate “Science and Technology Innovation” with “cultural creativity” to refresh the new sensory experience in the digital age. Innovative Highland large art installationFull superconducting tokamak, synchrotron radiation, steady-state strong magnetic field, and advanced light source in Hefei. The large-scale art installations in the preface hall are ingeniously combined with Anhui “National Great Science Installation, City Skyline”, with the map of Anhui Province located at the bottom, revealing Anhui Province’s prominent position in China’s innovation field. Innovation in Anhui Giant Screen with Light and Shadow. The designer makes full use of the high space of the atrium to set up the “Innovation in Anhui” light and shadow device show, bringing a strong visual impact and soul shock to the audience. The audience can step onto the dazzling floor tiles to light up the innovation engine, with the chairman’s innovative message sounding around. Meanwhile, the front and the big screen will be instantly opened, leading the audience to fully understand innovation stories in Anhui Province. The “Innovation Time Hourglass” at the top connects the “QUESS” satellite, “Wukong” dark matter detection satellite, the stratospheric airship, the diamond plane and other floating devices in series. And it interacts with the front ice screen, combining the virtual effect with reality and highlighting the concept of innovation and the achievements made in Anhui Province. Chuang Lifang Innovation Digital Sandbox. The bright light has lit up the 140,000-squarekilometer land between the Yangtze River and the Huai River, outlining the “2+8+N+3” innovation system. The 3D representation vividly represents the overview, history and achievements of the “Comprehensive National Science Center”. Meanwhile, it can also be transformed into “Innovation in Anhui·Big Data Center”, interactively displaying data resources such as key laboratories in Anhui; and through visualization, it can analyze current innovation construction in Anhui Province at various aspects. Quantum Box Immersive Experience Theater. QUESS, the world’s first scientific experiment satellite, has already made us have a bird view of the universe. Walking into the exhibition area, audience can turn on the digital image interpretation by randomly accessing the quantum key to get to know the cutting-edge achievements made in Anhui in quantum communication, quantum computing and quantum measurement. Through the dynamic interpretation of the photoelectric model, audience can view the working principle and operation steps of the full superconducting tokamak, especially the two outstanding achievements, namely “the successful achievement of ultra-high temperature long pulse plasma discharge with an electron temperature of more than 50 million degrees and a duration of 102 seconds in February 2016” and “the 100 million degrees of operation in the plasma center for the first time in August 2018”. The designer makes full use of the building’s high space to set up the “Innovation Space” intelligent product display space on the third floor, perfectly combining technologies and art. “Well Robot” produced by Harbin Institute of Technology is used as guide leading audiences to travel across time and see what Anhui Province will be look like by 2035. Eternity Transition Super-light Speed Flight to the Future. Taking the magic “QUESS” space ship, audiences can fly into the untouched and mysterious spatial and temporal realm. The superconducting Tokamak has solved the ultimate energy problem for mankind; distributed robots have become the absolute protagonists in the factory; flying cars have made the city less crowded; super high-speed rails have made the world no longer out of reach. Anhui is empowered in the 5G Era. As China’s first museum with large-area and full coverage of 5G signals, Anhui Innovation Museum provides application display, 5G Internet experience, etc. in the 5G industry, and it is currently the largest 5G concentrated experience area in Anhui. On the first day when the museum was opened, Anhui Provincial Party Committee Secretary Li Jinbin, Governor Li Guoying, and Deputy Secretary of the Provincial Party Committee Xin Changxing and other leaders came to the 5G exhibition area of Anhui Telecom at the venue to watch an on-site video of Dawan Village Jinzhai County through China Telecom’s 5G+4K technology.

MEET THE BUND

Meet the Bund is located by Shiliupu Wharf on the Bund in Shanghai, which is positioned as the world’s foremost gateway to the city. As a high-end restaurant specializing in Fujian cuisine, it directly faces the discerning tastes of culinary connoisseurs from around the globe. Given the restaurant’s exceptional view, particularly the urban night view of Pudong that is synonymous with Shanghai, we need to consider the visual perceptions of both indoor and outdoor before introducing urban landscape into the restaurant. The ceiling is embellished with hammered copper sheets to reflect Pudong’s architecture and lighting, subtly blurring the boundary overhead. The LED glass at the foot of the walls has been inspired by the plinth commonly seen in residences in southern Fujian Province. In addition, the use of red silk tapestry for the sofas and contemporary furniture both complement and integrate with the night view outside. Meanwhile, the two large tin lanterns are a tribute to the folk art of Fujian as well as the cultural focus of the entire space. Moreover, the cloud-and-thunder motifs are scattered throughout the entire hall and the booths, where the silhouette of Xiapu in Fujian Province is presented through artworks with natural patterns. With strong oriental aesthetics and a southern Fujian flavor, the color scheme of this restaurant perfectly combines the modernity and vitality of the Bund. People from Fujian Province have a strong sense of cultural mission. No matter how distant or strange the land may seem to be, they indefatigably disseminate their culture into it and make it their own. The spatial design of Meet the Bund bears the same spirit.

The Pink Zebra

인도 북부의 공업 도시 Kanpur는 과거 영국 식민지배 시절의 전진기지 역할을 하던 대도시로, 현재는 지역 주민들의 생활상 위로 황량한 무채색이 주를 이루는 곳이다. 클라이언트는 이 도시 Kanpur에서 그동안 볼 수 없었던 공간, 지나가는 누구라도 한 번쯤 돌아보게 할 만큼 인상적인 공간을 원했다. RENESA는 이에 대한 답변으로 식민지풍 클래식한 건물의 볼륨 위에 그려진 펑키(Funky)함과, 영화 감독 Wes Anderson에 대한 오마주를 담아 Feast India Co., The Pink Zebra를 완성했다. The Pink Zebra는 건축물의 대칭적 구도와 극도로 제한된 컬러 팔레트로, 핑크빛 바다에서 막 걸어 나온 얼룩말을 보는 듯 비현실적인 느낌을 자아낸다. 온통 분홍색으로 물든 The Pink Zebra의 실내 공간에는 웨인스코팅, 팬던트 조명과 기둥, 천장 패널이 좌우 대칭 구도를 이루고 있으며, 사선, 직선으로 이루어진 장식적인 요소들, 아치 구조물들로 이루어져있다. 이로 인해 Wes Anderson 감독의 역작, 영화 <그랜드 부다페스트 호텔>의 한 장면으로 들어온 듯한 착각을 일으킨다. 공간 전체에 사용된 분홍색은 단순히 영화 속 미쟝센을 흉내내기 위한 장치만은 아니다. 영국령 인도제국(British Raj) 시절부터 Kapur 지역에는 관공서를 비롯한 대부분의 건물에 분홍색을 사용했으며, 도시에서 가장 오래된 건물 중 하나를 되살려 재해석한 Feast India Co.에도 당시의 건축 양식을 상기시키는 요소로 작용한다. 실내외를 아울러 분홍색 베이스 위에 적용된 흑백의 사선은 공간에 볼드하고 시크한 이미지를 더한다. 2층의 공간에도 역시 사선 형태를 적극적으로 활용했는데, 낮 시간에는 사선으로 만들어진 스틸 그레이팅이 드리우는 그림자가 바닥의 그림자 패턴과 교차되며 더욱 이질적인 장면을 만들어낸다. The Pink Zebra aka Feast India Co. (FIC) is a take on the bygone British Culture in the city of Cawnpore. With the extravagance of the European Grandeur, not many know how important the city of Cawnpore (now Kanpur) was to the British Corporation of India. The design story initiates the change over time by re-writing an architectural essay through this space amalgamation of old with the quirkiness of Art Nouveau glitz (which can be seen throughout the city). The purpose of making "The Pink Zebra" was to speak of a complex and contradictory architecture based on the richness and ambiguity of old and modern experience including that very experience which is inherent in art. The core idea was to create a hybrid rather than pure, compromising rather than clean and leave the visitor hanging in the middle of an artistic sea. Ideating initiated from the clients love for Wes Anderson's set ideology and his love for fearful quirkiness along with constructed frames throughout this space. The love for extreme symmetry and restricted color palettes can often give the expression of a surreal, self contained world but adding that certain bizarre element to break that monotony of Wes's spatial ideology came through the black and white zebra lines dipping themselves in the pink monotone set in the British Raj's colonial order. The simple idea was to create a distinct aesthetic architectural style that connects to the city people and poses its stand by the use of a striking color palette. The Pink Zebra with its unique facade design creates an everlasting effect on the passersby and invites them into a magical, expertly crafted world whose spaces are framed to treat the eyes. How about we dip a zebra into a deep pink sea?

WHITE BOX

Space principle: It is always boundless. The space and time are infinitive, the space lives only in the current time. A classic space will never exist without the presence of a human being. The interaction between space and human being always enlivens and warms up the space, making it a full-of-story space, while the designer is just out there to get the story ready to tell. The designer needs to take a prior consideration on the relationship between construction and space to make the space more interesting and memorable and with more speciality. In this case, the store takes an area of only 35 square meters. In this simple box-liked structure, we have to keep thinking, discarding and extending, so as to let the light express its pure, smooth and exquisite feelings. The floor is covered with white-colored terrazzo, which makes this clean room even more elegant. The stone would feels like warm and softened under the gentle light. The light strips in both sides of the loft make a big difference in this room, they help build a connection between people and construction. The footlights together with the oak stairs are another ingenious designs to make the narrow stair path outstretched. The white is so simple and impressive that it is sure to be remembered. The front door is small, and the traditional display window is replaced by a horizontally long window with much white at the bottom to attract the passerby. It is the human being that opens the space. It is still the human being that grows up together with the space. We wish it will be turned into what we like it to be like.

425F

425F(425 Fahrenheit)는 레스토랑과 마켓, 와인 바가 함께 교차하는 공간이다. 이곳에서는 셰프 프레드릭 듀포트(Frédéric Dufort)의 음식을 즐김과 동시에 집에서의 식사를 위한 음식과 재료들을 구매할 수도 있다. MRDK가 1950년대 브루탈리즘에서 차용해 새롭게 재해석한 데코레이션은 러프한 물성과 결합하며 더욱 대조를 이룬다. 식료품과 재료, 음식과 와인. 425F의 환경은 요리를 만들어내는 전체 과정에 대한 존중을 직접적으로 드러낸다. 이는 425F의 주방 철학을 잘 반영한 것이기도 하다. 425F로 한 발짝 걸어 들어가 보자. 우리는 얼마 지나지 않아 높은 와인 셀러들 사이에서 수많은 작은 공간들을 만나게 된다. 이를 통해 MRDK는 425F에서 가장 중요한 것이 최고의 와인을 찾아 즐기는 것임을 보여주려 했다. 이 공간은 고객들에게 완성도 높은 오리지널 와인 셀렉션을 제공할 뿐만 아니라, 방문자들이 마치 집에 있다고 착각하게 할만큼의 편안한 환경을 선사한다. 이 레스토랑을 짓기 위해 선택된 곳은 캐나다 퀘벡의 쎙뜨떼헤스에 위치한 300평에 달하는 대지였다. 스튜디오에게 이 넓은 부지에 친근하고 편안한 공간을 만들어내야 하는 일은 무척 흥미로운 도전 과제였다. 사람들이 격의 없이 어울리고, 친근하게 찾을 수 있는 곳. 그렇게 꾸며낸 공간은 인더스트리얼 형식의 천장에서 멋지게 내려오는 빛들로 더욱 포근해졌다. MRDK는 비교적 공간을 세분화해 구분했는데, ‘많은 사람’들로 인한 공간적 부담을 훨씬 적게 느낄 수 있다. 이는 공간을 찾는 이들의 심신을 환경 속에서 좀 더 편안하게 만들고자 한 일이었다. The 425 Fahrenheit concept reinvents the way in which quality produces are come across and experienced in restaurants. At the crossroads between a restaurant, market and wine bar, this project offers a wholesome, lay back and welcoming experience to its clients. The refined brutalist decor plays with contrasts overlaying rough materials to more refined ones. The environment reflects well the restaurant kitchen’s philosophy, which offers modern cooking whilst always respecting and bringing forward the entire produce. As soon as we step in, we notice the spectacular double height wine cellar around which many different smaller spaces have been planed. The intention behind this was to affirm one of the most important vocation in house: great wine. The space offers to its visitors a well crafted selection of original wines to go or offers the full experience at the restaurant, always fostering a comfortable environment where everyone feels easily at home. Ambitiously, the space chosen for this restaurant was unconventional in the way it was over 10,500 square feet. It was an interesting challenge for the Atelier to work in a way where more intimate spaces needed to be created, thus allowing informal and warm exchanges in a space as vast as it previously was.

NĂM•Modern Vietnamese Cuisine

웅장한 아치형 구조와 4.5m에 이르는 거대한 입구가 그 위용을 자랑하는 NĂM • Modern Vietnamese Cuisine은 우크라이나 키예프에 위치한 베트남 요리 전문점이다. 베트남은 과거 프랑스의 지배를 받았었고, 이에 프랑스처럼 독보적인 미식 문화 및 특색을 갖추고 있다. 베트남 스타일 미식의 향연을 만나볼 수 있는 이곳은 높은 천장의 베트남 전통 가옥에서 영감을 얻어 인테리어에 적용했으며, 이외에도 동시대적인 인테리어 요소들을 활용해 유니크하면서도 감각적인 공간으로 완성되었다. NĂM • Modern Vietnamese Cuisine은 전체적으로 딥한 컬러감과 세련된 분위기, 차가운 소재와 따뜻한 소재의 교차가 인상적이다. 디자이너는 열대우림기후를 특징으로 하는 베트남을 조금 더 사실적으로 표현하기 위해 세월을 입은 천연 자재를 최대한 활용했다. 건물 자체에 큰 유리창이 많아 낮에는 자연스럽게 내부가 많은 빛으로 가득 차며 밝은 분위기를 연출한다. 황혼이 지고 어스름해질 즈음, 레스토랑은 점차 깊은 무드와 차분함으로 채워지며 낮과는 전혀 다른 모습과 분위기로 바뀐다. 1층은 쉐프와 손님들, 이곳을 방문한 모든 사람들이 서로 소통할 수 있는 공간이다. 또한, 오픈 키친 구조를 취해 손님들은 가까이서 요리 과정을 지켜볼 수 있다. 친근한 분위기 조성을 위해 식사 공간 바로 옆, 천장 등 곳곳에 자연 친화적인 느낌의 식물을 배치했고, 손님의 편의를 위해 푹신한 의자와 단체를 위한 테이블을 준비했다. 1층보다 사적이고 일행과 단란한 시간을 보낼 수 있는 2층은 어두운 조도와 폐쇄적인 테이블 배치를 특징으로 한다. 2층도 옛 베트남 스타일을 담기 위해 1층과 마찬가지로 천연 자재와 커다란 식물을 활용했다. 디자이너는 그저 평범한 베트남 요리 전문점 아닌 NĂM • Modern Vietnamese Cuisine만의 특색을 위해 인더스트리얼 풍의 그물형 천장 구조와 베트남 여인의 모습을 그려낸 벽화, 용을 형상화한 인장(印章) 형태의 예술품을 문마다 배치하는 등 공간에 다양하고 독특한 요소를 가미했다. 낮에는 밝고 황홀한 미식의 세계, 저녁에는 와인 한잔을 즐기기 좋은 로맨틱한 공간이 되어주는 이곳은 옛 베트남의 이국적인 모습과 현대적인 디자인이 아름다운 조화를 이루고 있다. NĂM·Modern Vietnamese Cuisine it’s a restaurant of modern Vietnamese cuisine in Kyiv. This is a paradise for true gourmets in Vietnamese villa of colonial France, because it is in this form restaurant arises before everyone who opens its huge entrance door in height of 4,5m. The creators and ideologists of this institution are Ector Jimenez-Bravo, who also became its brand-chief, and restaurateurs Taras and Oksana Seredyuk. Interior of NĂM restaurant is decorated in French colonial style with characteristic ethnic blotches. In order to achieve maximum authenticity we tried to apply as much as possible natural materials in decoration, which were specially aged according to conditions of tropical Vietnamese climate. All wooden products including parquet on the ground floor were made from massive 100-year old barrels from under white and red wine. Almost every element in design with the exception of chairs and technical lighting was created exclusively for this restaurant. On the first floor interior space forms by open kitchen, thanks to which guests can observe processes of cooking their meals, and by contact bar which on the one hand is transformed into a scenic landing zone thanks to tiers characteristic of Vietnamese region, and on the other hand – smoothly descends to stairs leading to the second floor to main guest area. Due to experiments with light restaurant radically changing its image according to time of day. In daytime thanks to large windows all halls of restaurant are full of light. With onset of twilight lighting becomes more muted, and closer to night it is almost completely extinguished, leaving only certain accents and shadows that provides a complete transformation of restaurant’s atmosphere in evening. No doubt, exotic attractive interior charm of NĂM restaurant definitely will not leave no one indifferent, and authentic Vietnamese recipes, perfected and modernized under patronage of the very chief Hector Jimenez-Bravo, for visual and flavoring qualities will pleasantly surprise even the most demanding gourmets.

ZHIMU SPA INTERNATIONAL EXPERIENCE CENTER

To live or to live. And the memory of the city's contour and the high frequency of every day, You and I went there with all our might! Then the interaction of body, heart and spirit influences and touches, and comforts and worries people. However, with the image of mu yi zenith, projection in the square inch, return to the id. A soft couch, a furnace of incense, a cup of tea, a time of understanding. Harmonious, simple and natural life aesthetics. designer sun chuanjin. In the city, on earth, hidden in the city, the heart in the world. This case is located in the north of the west of the center of commerce of the city of changzhou. Freehand brushwork in traditional Chinese painting of the white space entrance, immediate and earth away from the hustle and bustle of downtown, beautiful stone road, layered screen curtain, meaning the life of the one with green vigor, the shimmering mushroom lamp to guide the modern urbanite to return to nature, to lay down their pressure, eliminate exhaustion of body and mind. The two elevators run through the space relationship on the second floor of the first floor. The deep entrance of the second floor elevator hall sparkles with a little light, just like a mysterious time tunnel, guiding guests through time and space. Into the reception hall the whole space of unique flavor, the wisps of sweet fume smoke fills the air in the air, in the soft light can show a seductive charm, dribs and drabs, while the stone and wood throughout all areas, crisscross, borrow scene landscape lighting in the space, mutual penetration model with deep space, let the light of this wood one stone presents its natural color, the space permeated with the spirit of the atmosphere, natural, quiet, elegant character, purify the hustle and bustle earth float dry in people's hearts, calm the soul to return to, more in line with the project. Designers in the space frame combining elements of style, carried on the thorough understanding, pay attention to space, into the hands of relationship between space create a soothing atmosphere, project needs to accommodate the reception hall at the same time, two water area, between 28 rooms, two staff rest area, two storage room and a kitchen area after the domain, such as in the limited space design clever line corridor and the space open, one step one scene, more choose in indoor pine bonsai for reference, through the actual situation of light and shadow rendering foil, abandon the complicated factors of traditional design, retain the material nature, showing invigorative quietly elegant is the artistic conception of space. The space that already separates and confluence is on line with the creation of light, halcyon and abstruse, leisurely and calm, in order to obtain small medium see big artistic effect. Space still retains the tea culture, through the modelling, the space and the harmonious unification of material one, to create a cool elegant, quiet extraordinary artistic conception, in the quiet atmosphere adds one copy of the appeal of the natural “Mind like water, quietly elegant qing ning.”

S480 DINING VILLA

In a city known as Jiankang, there is a space theater holding a banquet for the host to interact with guests and friends. A new work created by the interior design and filmmakers to memorize the Southern Dynasty in ancient China. This case is located at Xi Jia Da Tang, and the dining site happens to be located at the site of ancient imperial palace of the Southern Industry, bordering Xuanwu Lake on the north, facing the North Pavilion in the south, adjacent to Gutai City in the west and Jiming Temple (formerly known as Tongtai Temple in the Southern Dynasty) in the east. Thus, it is known as S480 Dining Villa (which means: four hundred and eighty temples), as citied from Du Mu’s poem “Spring South of the Yangtze River”: How many of the more than four hundred and eighty temples left behind in the Southern Dynasty in the misty rain? Its English name is S480 Dining Villa because the Southern Dynasty is from 420 BC to 589 BC. S, which is the pun of the English abbreviation, means south and also southern in the Southern Dynasty. And it can also be interpreted as since 480, i.e., since the Southern Dynasty. The literati space inevitably reflects the spiritual orientation of “Confucianism, Buddhism and Taoism” as well as the pursuit for beautiful scenery and a secular life. After a lot of northern people moved to the south during the Yongjia period, a lot of them became literatus and their inborn positive mind was combined with the beautiful scenery south of the Yangtze River. Most of them describe the landscape to express their thoughts about life, which reflected their reflection on the real life from the perspective of Buddhism. The beauty of the Southern Dynasty is delicate, hidden in the pureness behind the mottled and the freshness of youth. Discovering the beauty of the Southern Dynasties is actually seeking how a city shapes a person and exploring how a person changes a city. The public space combined both the ancient and contemporary art and life, reflecting the designer’s literary accomplishment. The design revolves around the story of the literati’s collection, showing the beauty of life at that time; and while reflecting the ancient memory, the design is also rewriting a new story of contemporary spiritual life. During the Yongming period of the Southern Qi Dynasty, literatus, led by Xiao Yan, Shen Yue, Xie Tiao, Wang Rong, Xiao Chen, Fan Yun, Ren Fang and Lu Chui gathered around the King Jingling Xiao Ziliang, and them were collectively called “Eight Jingling Literatus”. The gracious names of the eight literatus were used at the inclusive space, and only their given names were used. This the simply style in the Wei and Jin Dynasties and the gorgeous style in the Sui and Tang Dynasties are well combined at this room. The main tone of the Southern Dynasty is between the simply style and gorgeous style at a moderate level. The black dark matte wood veneer lining and the abstract oil painting came from the abstract painting “Travel to Snow Mountain” painted by Zhang Sengyao, a famous painting in the Southern Liang Dynasty, with a good balance. S480 Dining Villa is a platform bearing the glorious past years and promising future days, displaying all moving plots orderly and displaying all the poetic and wonderful scenes. This mobile feast of urban civilization belongs to Jiankang and Nanjing. And it belongs to S480 Dining Villa and the people who have created the era.

SEEING JEWELRY

SEEING JEWELRY owns a lot of artistic works of many famous jewelry designers. It emphasizes on the special story of each work thus the jewelry itself would have some deep meaning. To achieve this story-function, we divided the whole space into two floors. The first floor is designed for hall and video studio. The hall can be taken as the buffer area. A solemn atmosphere can be created due to the concrete cantilever-structured stairs and the tender light from the ceiling. Customers can enjoy themselves in this space without much distraction. The domed roof church gives the designing idea of the second floor. Decorated with an arched-shaped ceiling, the space feels much higher and also obtains some religious ceremonial sense. Extensive hickory grille is used, together with long pile carpet. The above constructed a comfortable environment that can lead the customers into the story of each jewelry. Jewelry contains story while space contains jewelry. We built a Church, hoping the space can lead customers to hearing those moving stories.

THAT ONE RESTAURANT

The overall restaurant space design is extravagant and extravagant, using simple and bright methods, the shape of the Jiangnan eaves was built with wood-grained aluminum tubes, and the theme design of the “That One Restaurant” restaurant was set off, combining the rustic feeling of cement board, creating the beauty of Jiangnan artistic conception. The wood grain aluminum tube is like a building block. It seems to be unintentional but intentional, presenting a “home” to people. The front hall is covered with green plants and creates a quiet and quiet atmosphere. Like a raindrop, a chandelier like a wind chime, adding a little bit of spice to the restaurant space. The wood grain grille, which is intertwined with each other, retains its own privacy and enriches the level of space. The simple restaurant space design combines the current popular terrazzo material, make the space both the shadow of traditional architecture and modern material elements.This fusion maintains the sense of space in modern architecture, not only can it use its functions, but it also strengthens the transition in space, make the restaurant space more visual and more imaginative.

Normal

우크라이나 키예프(Kyiv)에 위치한 Normal은 그 이름처럼 평범(normal)하지만은 않은, 다채로운 면모의 레스토랑이다. 동유럽에 자리해 있지만, 트렌디한 뉴욕의 분위기가 물씬 느껴지는 감각적인 공간이다. 모던하고 단정한 외부를 지나 내부로 들어서면 다채로운 컬러 팔레트, 다양한 조도의 조명, 인더스트리얼과 컨템포러리 스타일의 조화를 만나볼 수 있다. 시간대에 따라 변신하는 Normal은 낮에는 밝은 조도와 화려한 페인팅이 세련된, 식사를 위한 레스토랑으로 기능한다. 낮 시간, 데이트나 업무 미팅에 적합한 분위기의 Normal은 감각적인 인테리어로 트렌드에 민감한 이들이 많이 찾고 있다. 도시에 어둠이 내려앉으면, Normal은 새로운 옷을 입는다. 댄스 플로어가 펼쳐지고 라이브 음악이 흘러나오는 화려한 무대가 된다. 푸른 빛과 붉은 빛의 조명을 기반으로 하는 공간은 몽환적이면서도 깊은 무드가 있는 바(bar) 겸 클럽(club)으로 변신한다. 다양한 매력의 Normal에서 가장 특별한 인테리어 요소를 꼽자면, 브루클린 스타일의 낙서를 연상케 하는 벽면의 페인팅이다. 과감하고 유니크한 페인팅은 마구잡이로 그린 듯한 자연스러움과 그 속에 느껴지는 입체감이 Normal을 더욱 역동적인 공간으로 만들어준다. 이외에도 다양한 인테리어 요소를 곳곳에서 볼 수 있다. 화사한 레스토랑과 화려한 바(bar)의 느낌을 동시에 소화해야 했기에 양면적이면서도 반전미 넘치는 요소들로 채워졌다. 천장은 오픈형 인더스트리얼 스타일로 자유로운 느낌을 주며, 파도가 치듯 유연한 곡선형의 스틸을 활용한 조형물은 예술적인 무드를 더욱 강조한다. 자칫 차가운 느낌을 주는 콘크리트 벽에는 천장에 간접 조명을 설치해 부드러운 느낌을 보완했다. 천장부터 바닥까지 길게 뻗은 유리창은 도시의 풍경을 한눈에 담을 수 있으면서도 실내에 채광이 잘 들게 한다. 철제 프레임의 전면창은 채광에 따른 밤과 낮의 확실한 분위기 반전을 위한 인테리어 요소다. 벽과 천장에 다소 화려하고 눈에 띄는 인테리어 장식 요소를 중화시키기 위해 가구 선택에 있어서는 심플함을 추구했다. 군더더기 없는 디자인과 형태의 테이블과 의자를 배치했으며, 컬러 또한 무채색 또는 원목 컬러로 선택해 통일감과 차분함을 더했다. 또한, 낮의 화사한 공간 연출을 위해 식물 위주의 디테일 요소로 온화함과 친근함을 채웠다. 낮에는 업무 회의와 점심 식사가 가능하고, 저녁에는 로맨틱한 바(bar), 더 깊은 밤에는 클럽으로 기능하는 Normal은 한 공간의 다채로운 변신, 다양한 인테리어 요소의 활용을 보여주고 있다. Normal is a new cosmopolitan establishment with atmosphere of street art in New York, which successfully combines several formats. In the daytime «Normal» functions as a restaurant, with the onset of dusk passes into the format of the evening bar, and with the advent of complete darkness turns into AbNormal – night club with dance floor, live music and light installations. Lighting contributes to the triple transformation of establishment in the interior plan and changes itsshade according to the format: white daylight changes with bar blue, that in turn goes into the red in accordance with the club concept. The feature of institution are graffiti and drawings in the style of art vandalism, which immerse into the atmosphere of Brooklyn. In the evenings they «come alive» thanks to 3D-mepping. Due to its multifunctionality and the ability to adapt «Normal» at once attracted attention and became a favorite place for party-goers and supporters of extraordinary places.

Playville & Playville Shop

태국의 디자이너 Nita Yuvaboon과 Prow Puttorngul 은 방콕에 둘의 이름을 딴 건축 및 인테리어 스튜디오 nitaprow를 설립했다. 영국과 미국의 유명 대학에서 건축학, 디자인 전공 과정을 함께 수학한 nita와 prow는 젊은 감각과 서로의 장점에 대한 이해를 바탕으로 여러 프로젝트를 흥미롭게 풀어내고 있다. 그들의 최근 프로젝트 Playville과 Playville Shop은 ‘자연은 최고의 배움의 장소’라는 기치 아래 어린이들이 자연을 담은 안전한 공간에서 자유롭게 학습하고 뛰놀며 영감을 얻을 수 있는 공간으로 완성됐다. Nitaprow는 숲, 언덕과 동굴, 사막과 오아시스, 그리고 인간이 사는 마을 등을 어린이들의 실내 놀이 공간 Playville에 녹여내고자 했다. 자연환경의 다양성은 Playville을 구성하는 4개의 공간 프로그램으로 표현했는데, 각각의 공간은 특유의 캐릭터를 가지면서도 공통적으로는 아이들이 안전하게 놀이를 하며 신체 기능과 감정적인 발달을 도모할 수 있도록 계획됐다. Playville로 들어서자마자 만나게 되는 The Fog & The Tree Tunnel은 안개와 나무 터널을 컨셉으로 한 현관 홀이다. 공간의 목판 마감재는 아치 형태의 복도와 락커를 이룬다. 안개를 표현한 글라스월 너머로는 모래 놀이를 할 수 있는 사막과 오아시스 공간이 위치한다. 언덕과 굴을 표현한 Transition Hall은 단차를 올린 나무 플랫폼으로 층을 구분해 재미있는 놀이 공간을 구성했다. 아이들은 각각 다른 크기의 아치형 입구를 통해 높은 위층과 천장이 낮아 아늑한 아래층, 미끄럼틀에서 이어지는 볼풀장을 뛰논다. 신체 놀이를 할 때의 재미와 안전을 위해 그물망을 설치했고, 파사드 쪽의 글라스월과 그리드 형태의 조명으로 밝은 분위기의 놀이 공간이다. Transition Hall은 The Island & The Lakes를 향해 트여있고, 반대편으로는 The Village로 향한다. 메인 놀이 공간인 The Island & The Lakes는 연속되는 순환의 속성을 표현하는 것에 중점을 두었다. 벽체를 장식한 은경 오브제에 반사되는 자연광이 커스텀 한 볼풀장의 구체들을 투과하며 호수에 햇빛이 비치는 모습처럼 보이도록 했다. 이곳에는 가벽으로 공간이 구분되지 않고 중간중간 놀이기구들이 놓여있는데, 이 역시 탁 트인 호숫가에 섬들이 떠 있는 듯한 풍경을 형상화한 것이다. 전체 놀이 공간은 자연이 보여주는 각양각색의 모습이 은유적으로 함축돼있으며, 뛰노는 아이들이나 부모들 모두가 안심할 수 있도록 밝고 시인성이 좋을 것, 그러면서도 무엇보다도 안전할 것을 염두에 두고 디자인됐다. 실내 놀이 공간 Playville 안쪽에는 키즈 부티크 Playville Shop이 위치한다. 이곳 역시 다른 공간들처럼 자연환경을 닮은 컬러와 형태로 꾸며졌다. 5평이 채 안 되는 협소한 이 공간은 물가의 바위를 닮은 컬러, 질감의 마감재로 벽체와 매대를 구성했고, 거울, 벽체와 선반 등 부티크를 이루는 모든 소품들은 모나지 않은 곡선으로 만들었다. 도시화, 환경 오염 등으로 인해 오늘날의 어린이들에게는 자연 속의 야외 활동이 어려워지고 있다. Playville은 노골적으로 자연을 그대로 옮긴 디자인보다, 은연중에 드러나는 자연적인 요소가 돋보이는 곳, 아이들을 위한 실내 놀이 공간이다. Nature is by far the best learning ground many of us would agree upon. Over the recent years we had all been experiencing increasingly hostile outdoor conditions, conditions that may be at times too harsh for our little ones to comfortably take in what nature has to offer. It was important for us to consciously bring in some of its inspirational aspect into the design thinking of this sheltered playground. An amusing image calls to mind while recollecting on how toddlers constantly strive to make sense of their environments. They toddle, spreading their legs wide apart, swaying from side to side, wobbling back & forward while establishing a new relationship with the ground. They maybe enthralled with their newfound upright position but it was the ground beneath their feet that caught our attention. The ground and its tangible effect becomes an underlying design element of the project. By conceiving and implementing numerous types of architectural terrain and play structure as the tool to encourage the little crawlers and toddlers to walk, climb, dive, crawl in countless ways, may be one of the most fundamental methods in helping them to fully explore their physical and cognitive abilities. Nature’s geological diversity gave us an entertaining lead into pairing the 4 programmatic zones with their conceptually inspired counterpart.

Restaurant Qalaqi

2014년 Georgia의 수도 Tbilisi에서 설립된 젊은 디자인 스튜디오 SPECTRUM은 건축, 인테리어 디자인, 마스터 플랜 등 디자인을 기반으로 하는 모든 작업을 아우르고 있다. 재능 있는 디자이너, 건축가 및 분석가들이 모인 SPECTRUM 스튜디오는 클라이언트의 아이디어를 현실적으로 이끌어내면서도 환경을 보존하고 사이트의 맥락을 고려한 다채로운 프로젝트를 선보이고 있다. SPECTRUM은 자연에 대한 심도 깊은 고찰과, 이를 통해 만들어내는 ‘지속 가능한 공간’으로 그들의 디자인 철학을 표현해낸다. Qalaqi 레스토랑은 Georgia의 수도 Tbilisi에 문을 연 미슐랭 스타 레스토랑이다. 공간 디자인의 목표는 단순한 럭셔리 레스토랑을 넘어, 방문객들이 비현실적인 분위기 속에서 휴식을 취하고 식사를 즐기며 교류할 수 있는 공간이었다. Qalaqi는 도시의 오래된 구역, Kostava Street에 위치했는데, 거리는 150년 동안의 건축 양식이 층층이 쌓여 다양한 표정을 보여주고 있다. 100년 이상 이 자리를 지킨 노송(老松)을 지나 레스토랑의 문을 열고 실내로 들어서면 비현실적이고 아름다운 Qalaqi의 메인 홀에 들어서게 된다. 레스토랑의 메인 공간은 골목길 건물들 사이의 노천 카페와 같은 분위기로 연출했다. 정문의 왼편으로는 연속되는 아치로 공간을 구분해 좌석을 마련했다. 이곳은 고풍스러운 스타일의 샹들리에가 창문 형태의 은경, 대리석 바닥재를 통해 비치며 화려한 분위기를 자아낸다. 그 밖에도 공간을 장식한 벽 장식과 가구들은 만찬 시간의 운치를 더한다. ‘Qalaqi’라는 단어는 조지아어(語)로 ‘도시’를 뜻한다. 그리고 Qalaqi 레스토랑은 ‘도시 속의 도시’를 컨셉으로 했다. 이런 연출을 위해 레스토랑의 내부 공간이 실외처럼 느껴지도록 건물의 외벽에 주로 쓰는 마감재로 내벽을 꾸몄다. 레스토랑에서 바라보는 풍경은 오래된 Tbilisi의 주거 구역, 전형적인 골목길 안뜰과 같은 모습이다. 방문객들은 도시 생활의 지루함과 피로를 해소해주는 ‘도시 속의 도시’, 하루 종일 화창하고 해가 지지 않는 Qalaqi에서 비현실적이고 분위기 있는 시간을 보내게 된다. 일반적인 레스토랑에서 ‘테라스’의 역할은 메인테이블 외 연장된 별도의 장소, 특별한 이벤트를 위한 공간이지만, Qalaqi에서는 테라스의 자리가 주요한 식사 공간이다. 총 3층으로 이루어진 레스토랑의 테라스 공간은 패턴이 유니크하고 고급스러운 대리석, 톤이 다른 헤링본 원목 마루로 바닥을 마감해 층별로 다른 이미지를 가지고 있다. 테라스 역시 야외에서 많이 사용하는 철제 조명, 벽체와 난간을 활용했다. Award winning restaurant “Qalaqi” is a five-level, 850 sq. m. restaurant operating in Tbilisi, Georgia. Located in one of the oldest neighborhood in Tbilisi with diverse architectural styles and historical layers superimposing over 150 years of history, the architecture of the project was carefully considered and detailed for the contextual setting, yet with a quest to create a classical and sophisticated environment within the texture of old town. The fundamental design concept of the project surpasses the typical designation of a luxurious restaurant and its main function, rather offers an unparralleled settings and meeting space where people experience and socialize in a magical atmosphere, which takes them away from city reality. The name of the restaurant – Qalaqi, in Georgian means CITY and the idea of space is to create a city within the city with a timeless atmosphere what enables visitors to travel in space, in history and culture and interpret the reality in different lens. The city inside the city, where time is insignificant, where you can enjoy the magical atmosphere completely distracted from stressful urban routine. It’s the story told through classic materials, lighting and historical context, which is deliberately imitated in the interior. Sol Omnia Lucet – the Latin caption at the entrance, translating sun shines for all, sums up the main idea of the project – creating the restaurant, where everybody finds their own individual space to experience a time. The entire concept of restaurant revolves around main atrium, the heart of the project, which resembles the typical inner yard of old Tbilisi residential neighborhoods where habitats meet and socialize. Different dining halls are connected via inner yard and offer different dining experiences for various setting and functional gatherings. This planning principles encourages visitors to move around during the evening and explore the space from different perspectives, offering spaces from romantic gateway to casual outdoor seating enables visitors to experience continues sense of exploration and excitement at every visit. 100 years old pine right at the entrance of the building was decided to maintain to enjoy the natural conditions offered by location. Now this pine adds green glow to the restaurant facade. The Atrium, artificial sky and outdoor facades used indoors add a certain theatrical nature to the space. Giving visitors the feeling of being part of some performance. From its food and drinks to the furniture design, this place was designed to awaken feelings. Restaurant offers a truly unique experience combining luxurious European settings and styles with local traditions and feel what creates an unforgettable experience and memories for visitors. Various stories will be born in such a space, we believe. We aimed to create a place in which the meaning of the place would be misinterpreted, yet the place would accept various interpretations of visitors. Restaurant Qalaqi have been awarded the Golden A' Design Award in Interior Space and Exhibition Design Category by the International Design Academy.

GREENWICH GRIND

컨템포러리한 분위기와 로맨틱한 컬러감이 시선을 사로잡는 Greenwich Grind는 영국 런던 Greenwich Market 맞은 편에 위치한 레스토랑 겸 칵테일 바(bar)다. 시크한 블랙 컬러의 벽돌로 마감된 외관을 지나 내부에 들어서면 그린, 핑크, 그레이 등 다양한 색감과 철제 프레임, 네온사인, 헤링본 타일 같은 유니크한 요소가 조화를 이루고 있다. 델리/테이크 아웃, 칵테일 바, 식당 총 3개의 공간으로 나뉘어 있으며, 조리식품 판매와 테이크 아웃을 위한 첫 번째 공간은 전체적으로 여성스러운 분위기 속 무심하게 흘려쓴 듯한 핑크색 네온사인이 인상적이다. 판매를 위한 공간으로 최소한의 면적만 확보하고, 대신 외부에서도 눈에 확 띌 수 있도록 큰 창을 통해 화사한 컬러와 조명이 잘 보일 수 있게 했다. 칵테일을 즐길 수 있는 바(bar) Green Room은 친근한 분위기를 풍기는 공간으로 이름처럼 초록빛으로 가득하다. 초록과 파랑이 섞인 듯한 묘한 컬러감이 매력적이며, 러프하게 마감된 벽에도 비슷한 톤의 컬러를 더해 전체적으로 통일감이 느껴진다. Green을 테마 컬러로 한 공간인 만큼 초록 식물을 장식요소로 사용해 산뜻하면서도, 바(bar) 특유의 차분하고 고급스러운 분위기를 위해 블랙 컬러의 철제 프레임을 더했다. 톤다운 된 컬러로 로맨틱함이 느껴지는 메인 바(bar)에는 그레이 컬러의 높은 스툴과 둥근 펜던트 조명을 매치해 화사하면서도 경쾌하게 연출했다. 또한, 창가에도 대리석 테이블과 함께 바 스툴을 배치해 실내의 분위기와 런던의 거리를 동시에 느낄 수 있도록 했다. 적절한 컬러의 조합과 디자인 요소의 활용으로 Green Room은 우아하면서도 친근한 공간으로 완성되었다. 메인 바(bar)에서 작은 문을 통해 이어지는 공간은 라운지다. 풍기는 분위기는 다르지만, 흑백 모자이크 바닥으로 연결된 공간임을 보여준다. 바(bar)와 레스토랑을 방문하는 이들을 위한 쉼터이자 칵테일을 즐기는 공간인 라운지는 옅은 분홍색을 메인 컬러로 해 메인 바보다 조금 더 부드러운 분위기를 자아낸다. 고급스러운 패턴의 대리석 테이블과 벽면을 휘감듯 자리한 분홍색 벤치형 벨벳 의자, 천장에서부터 길게 늘어뜨려진 펜던트 조명은 로맨틱한 공간의 완벽한 요소로 기능한다. 그레이 톤의 콘크리트 벽체에는 분홍색 네온 간판을 배치했는데, ‘Do you remember the first time?’이라는 문구를 넣어 이곳에서 칵테일을 즐기는 이들에게 아름다운 기억, 옛 추억을 떠오르게 하며 감성을 자극하기도 한다. 제일 안쪽에 넓게 자리한 레스토랑은 종일 운영되는 곳으로 다양한 좌석 공간을 갖추고 있다. 유리 아트리움 지붕으로 자유로운 느낌의 메인 식사공간은 실내 식물 장식과 주변 창문을 통해 보이는 녹음으로 활기가 느껴진다. 온실이나 식물원이 떠오르는 친환경적 인테리어는 편안한 식사 분위기를 조성한다. 또한, 별도의 야외 식사 공간이 있어 날씨가 좋을 때는 선선한 바람과 햇살을 느끼며 식사를 할 수도 있다. Greenwich Grind의 각각 세 공간은 다른 매력으로 독자적으로 기능하면서도 ‘로맨틱하고 친근한 공간’이라는 하나의 컨셉 아래 조화로운 어울림을 이루고 있다. Coffee-and-cocktail restaurant brand Grind has taken its inimitable offering outside of London’s Zone 1 for the first time with a relaxed and accessible venue providing a new all-day destination in Greenwich. Contemporary colour and detailing infuse the heritage building with the essence of Grind, setting the scene for its unique mix of music, design, coffee, food and cocktails. Located opposite famous Greenwich Market, Greenwich Grind is in a handsome heritage-listed building formerly home to Jamie’s Italian restaurant. The venue is divided into three spaces – deli/takeaway, cocktail bar and dining room – with an easy flow and operational connection between each. The areas function independently and together, each with distinct but complementary aesthetics for a holistic Grind experience. The grab-and-go deli/takeaway has its own entrance. Open for breakfast and lunch, it’s a fun, bold space with Grind’s signature pink on the walls and ceiling. The Green Room is an intimate cocktail bar with a deep-turquoise-blue backdrop and elegant stools around the bar and window. Pale-pink banquettes wrap around the front of the restaurant providing lounge seating for bar and restaurant guests. The all-day restaurant for dine-in customers stretches the full length of the site with a variety of seating, including a communal table, dining tables and banquettes. The main dining room opens to an alfresco dining area, featuring a glass-atrium roof, whilst an abundance of greenery creates a conservatory-like space, evoking the leafy Greenwich area. Greenwich Grind is redefining the London food-and-beverage social scene. Offering something for everyone, the all-day, everyday destination brings Grind’s unique blend of music, design, coffee, food and cocktails under one beautiful glass-atrium roof.

Wyers & Miss Louisa

암스테르담 센트럴역(Central Station)과 가까운 Kimpton De Witt 호텔 내에 위치한 WYERS & MISS LOUISA는 깊은 풍미의 커피와 신선한 와인을 온종일 즐길 수 있는 레스토랑이자 카페, 바(Bar)다. 설계를 맡은 Studio Modijefsky는 번화한 거리라는 위치적 특성을 적극 활용해 지나가는 이들의 시선을 사로 잡는 공간, 클래식한 분위기에서 현지 스타일의 음식과 맥주를 언제든 즐길 수 있는 상업공간을 완성하고자 했다. 풍성한 공간을 지향해 스틸과 유리, 대리석, 목재, 가죽, 패브릭에 이르기까지 다양한 자재를 활용했다. 딥(deep)한 컬러와 따뜻한 원목이 조화를 이루고 있는 WYERS & MISS LOUISA는 풍부한 색상 팔레트가 특징이다. 올리브 그린, 그레이, 브라운, 레드 브라운이 자연스럽게 어우러지며 따뜻하고 평온한 공간을 연출한다. 특히, 올리브 그린 컬러의 벽과 패브릭, 가죽으로 덮인 테이블, 의자의 조화는 편안하면서도 아늑한 분위기를 조성한다. 여기에 그레이 톤과 패브릭 패널 및 유려한 곡선을 이루는 가구로 쾌활하고 친근한 느낌까지 더했다. WYERS & MISS LOUISA는 공간의 악센트, 포인트를 위해 세분화된 공간마다 소녀의 초상화를 걸어두었다. 이 작품들은 현지 네덜란드 사진작가가 촬영한 소녀들의 사진으로 레스토랑을 상징하는 트레이드마크가 되었다. WYERS & MISS LOUISA는 레스토랑과 바(Bar)의 역할을 위해 손님과 바텐더가 서로 소통할 수 있는 바(Bar) 공간, 요리하는 것을 가까이서 볼 수 있는 오픈 주방, 일행끼리 오붓하게 식사를 즐길 수 있는 식사 공간으로 구성되어 있다. 독특한 볼륨감의 바(Bar)에는 금속 튜브가 고급스럽고 강렬한 인상을 준다. 대리석으로 마감한 바 테이블과 와인병 진열을 위한 유리 선반은 우아함을 자아내며, 부드러운 곡선 형태와 기둥을 감싸 타고 내려가는 금속 튜브의 일부는 즐겁고 장난스러운 분위기를 더한다. 오픈형 주방은 손님들에게 시각적 즐거움을 안겨줄 요소로 현지 스타일의 요리 방식을 가까이서 지켜볼 수 있으며, 천장에 스틸 튜브 안쪽으로 자리한 조명은 주방과 좌석을 아우르는 역할을 한다. 고급스럽고 깊은 무드와 신선하고 친근한 음식으로 사람들을 매료시키는 WYERS & MISS LOUISA는 일정한 패턴으로 짜인 짙은 목재 바닥과 밝은 색조의 타일, 포인트 컬러 타일 등 다양한 자재와 컬러를 활용해 하나의 장소지만 세분화된 공간마다 다른 느낌을 준다. 특히, 레스토랑의 첫인상이자 사람들이 드나드는 출입구 쪽은 딥(deep)한 컬러감의 실내보다 화사하게 꾸며 방문하는 이들을 환영하는 듯한 밝은 분위기를 조성했다. 이처럼 입구, 레스토랑, 바(Bar), 오픈 키친까지 다양한 공간 구성과 다채로운 컬러 팔레트로 풍성함이 가득한 WYERS & MISS LOUISA는 때론 프라이빗하게, 때론 친근하고 장난스럽게 시간을 보낼 수 있는 완벽한 공간으로 완성되었다. A stone's throw away from Amsterdam central station, the American hotel chain ‘Kimpton Hotels & Restaurants‘ settles in their first location abroad. In a completely renovated hotel, Studio Modijefsky has designed an all-day restaurant including a petite coffee corner. Analysing the space and its location, a new layout was made for the restaurant where the orientation of the building and outside traffic played an important role in the design. The restaurant space is located on the intersection of a busy pedestrian street and the main road leading tourists and locals from central station into the city. The design filters the surroundings and creates a softer environment away from this busy street. A subtle transition in materials, from hard to soft creates a calm atmosphere once in the restaurant. Steel and glass in the entrance lead to marble, wood, leather and textile finishes. A rich colour palette complements the materials; olive green, elephant grey, clay colored brown and a warm ochre shift from one tone to the other, on the walls & furniture pieces. A weathered wall in clay coloured brown, with a leather bench in the same colour leaning against it is what welcomes guests into a warm and cozy space once entering. Moving further into the space olive green walls and banquettes grab one's attention, covered in matching fabric and leather finishes. Followed by warm grey tones, used for window screens, fabric panels on the walls and curved banquettes, a playful and friendly touch soothes the space. A bright ochre color on a weathered plaster wall stands out next to the greys and greens. While creating an accent in the space, clearly visible from the street, the ochre wall holds the restaurant logo and a mysterious portrait of a young girl, shot by a local Dutch photographer.

BIG IN SMALL

Design is never the intentional decoration with rouge and powder, nor the selfproclaim running after the trend; it is the power, going through the appearance, directly hitting your heart, and weakening your dream for the real. It is with this humility that the teahouse Jue Chen Tian Xia shows the original look of design to the world. Limited by the narrow and cramped space on site, the designer Huang Feng makes design with the aesthetic philosophy of “big in small” and the narrative design language. The appearance of the transparent building glass and the interior modeling with interspersed blocks create a look of the nature and inspires the curiosity and adventure spirit of the audience. Strength and wisdom can be felt here and there from the relaxation and tightness of design, just like a terse but forceful andate, or the warm and pure rock tea, spreading the primitive, quiet, and elegant aesthetic perception. T he teahouse is made by transforming the two stores, each with length of 15m, width of 3.4m, and height of 4.2m. The glass entrance door and the glass façade of the teahouse constitute a uniform appearance, revealing the openness of the internal space. The import of the community concept enriches the interaction between the internal and the external space of the teahouse and creates an amiable sense of belonging. The gray transitional space created by the bevel wall at the entrance side reinforces the ceremonial sense and builds an obstructive visual effects, just like a maid playing the lute with half of her face concealed, which further inspires the imagination of the audience. The overall design highlights the principle of “open after hidden”. The interior public area looks spacious and changeable, making the visitors feel sudden spacious after stepping on the relatively narrow entrance door. The actually very limited space is enlarged unexpectedly thanks to the repeated deliberation and consideration. As for function area divisions, the ground floor is divided into two parlors and three VIP rooms facing the street. Furthermore, if make further exploration on the ground floor, you will find a big surprise that the ascending stairs are hidden in the middle of the OSB boards acted both the cabinet and the partition wall. On the second floor, two VIP rooms, the office area, and the storage area are designed. Different designed height of these rooms safeguards the comfort level of each function area and reflect the internal rhythm of the space. The external rhythm changes, naturally, witty, and full of humor. The wall made of stainless steel boards and OSB boards breaks the traditional stiff partition of different areas; the high-low alternative structure builds the calm and quiet sense of sculptures and architectural blocks and, while relieving the sense of space pressure and extending the eyesight, creates a well-stratified and dynamic image. The change between light and the shade and the comparison between stiffness and flexibility, of the materials realize the transition and conversion of different areas. When there are guests sitting and tasting the tea quietly, such change and comparison disappear and give back the harmonious and appropriate scenery. It is in this teahouse that the designer builds a realm for the soul, easy, simple, but full of the beauty of force, with his perception and comprehension about the humanistic spirit. Walking in this space, enjoying the tea over the table with your friends, you will have not only the visual feast, the fragrant tea, the beautiful design, but also a cozy living and traveling space, and a realm of soul with which you will have reactions.

JACI‧VELA

JACI•VELA is located in Dasheng Zhongchuang Street, Nantong, Jiangsu. It is a composite buyer's shop integrating clothing, catering and fashion experience. We have a wide range of high-quality clothing and accessories such as ANNAKIKI, PINKO, and PALIIE. The façade is made of white perforated aluminum plate. The light penetrates the leaves and is sieved down to achieve a balance between privacy and penetration. Based on the thinking of fashion and art, the designer explores the connection between man and space. Therefore, all the design methods are intertwined with rationality and sensibility. Thoughts are only affected and not disturbed. In the use of building materials, some of the walls of the original building were preserved, and the luster and matte materials were added as an extension of the material to expose the mottled rough texture. The staggered beam structure at the top echoes the wall and space segmentation and reshapes the aesthetics of the interior. The superposition and bite between the blocks creates an experience store with stage effects and visual art, which makes you feel like you are in an art gallery. The staircase of the atrium divides the space into display areas of different brands. The open space facilitates the display of clothing and accessories and also provides the space for the show when new products are released. The overall color of the space is dominated by gray tones. Modern grayscale and texture make the product the protagonist of the space. The white wall provides the best background for the suspension of the costume. At the same time, the display stand is mobile. By increasing or decreasing and combining, it not only satisfies JACI•VELA's regular display and transformation, but also makes the space more interesting and writable. I n addition to the fun, there is also a place to enjoy a cup of afternoon tea.

iZA

iZA는 캄보디아의 Phnom Penh, Rosewood Hotel 37층에 위치한 Japanese Tapas 레스토랑이다. 호텔은 캄보디아 최고(最高)의 건축물로, 투숙객들이 도시와 강의 뷰를 한눈에 바라볼 수 있는 곳에 자리했다. 비록 호텔은 세계에서 가장 럭셔리한 브랜드지만, 관광객들이나 출장온 사업가들도 캐주얼하게 식사를 즐길 수 있는 공간으로 디자인됐다. 레스토랑은 스시, 쿠시야키(일본식 꼬치 요리), 면 요리 등이 곳곳의 오픈키친에서 펼쳐지는 요리 퍼포먼스와 어우러지며 활기차고 생동감 있는 분위기를 자아낸다. 최초에는 Japanese Tapas 레스토랑과 수제 맥주 바(bar)라는 별개의 공간을 만들고자 했다. 그러나 레스토랑과 맥주 바(bar)가 합쳐지면서 전체 공간은 양조장 같으면서도 중후한 와인바와 같은, 그러나 천장과 벽체에는 스틸 프레임의 격자가 자아내는 오리엔탈한 이미지를 가지게 됐다. 맥주 탱크는 고객들이 신선한 맥주를 즐길 수 있는 기능적인 측면과 공간의 캐릭터성을 강조하는 효과가 있다. 레스토랑의 인테리어 디자인은 캄보디아가 가진 자연의 힘과 캄보디아인들의 라이프스타일, 그리고 거친 자연적 재료들과 인더스트리얼한 재료들을 대조적으로 보여준다. 스틸 그리드 프레임 패턴이 공간 전체를 감싸고 있으나 카운터는 대형 목판으로 투박한 자연적 이미지를 갖도록 디자인하는 등, 레스토랑의 모든 공간은 그 구조나 소재 활용의 측면에서 끊임없는 대조/대비의 연속이며, 상반된듯한 요소들이 조화롭게 어우러진다. iZA의 공간은 전 세계 어디를 가든 비슷비슷한 일식 레스토랑만의 전형적인 이미지에서 벗어나, 호텔 특유의 고급스러움과 도시에서 가장 높은 건물의 뷰(View)라는 장점을 극대화하고 나아가 캄보디아의 자연적 이미지와 인공적이지만 세련된 이미지들을 모두 더했다. 고객들은 도시의 전경과 Tonle Sap, Mekong 강을 내려다보며 경치를 곁들인 만찬을 즐길 수 있다. This Japanese Tapas Dining “Iza” is located in the Rosewood Hotel Phnom Penh. The architectural tower is the highest building in Cambodia, where guests enjoy the great city and river view in front of view. Although hotel itself is one of the most luxurious brands in the world, the challenge is to create casual dining space for tourist, business person and local people with active and creative ambient. Various show kitchen, featuring Sushi, Kushi-yaki and Noodles with kitchen action and food display, provides quite active and vital feel. Interior design expresses Cambodian power of nature and human life style, in contrast with rough natural material and industrial materials. Steel grid frame pattern cover entire space, but food counters are composed of rough and natural shape of great planks. Elaborated hammered metals are featured, next to solid timber panel wall with resin crack treatment. The space is made of such high-contrast between Cambodian nature and man-made work. As every furniture, decorative lighting and artifacts are bespoke, people can feel luxurious, not only casual. Another western bar and sky-deck bar “Sora” is also located in the same door. After you enjoy your eating in this restaurant, you can move and select your style for drink and talk at wherever you like.