인터넷 심의위원회 배너
1995 이미지
우수컨텐츠 로고
우수컨텐츠 로고
윤리경영 이미지
The Highest Quality & Retention of Design
디자인 트렌드를 선도하는 대한민국 프리미엄 미디어 그룹
The Highest Quality & Retention of Design

Inbetween A Thai Street

레스토랑이 위치한 Xinyi district의 Breeze Center는 대만의 현지인들과 관광객들 모두가 즐겨 찾는 복합 쇼핑센터다. 레스토랑은 쇼핑센터 내에서도 매우 좁고 길다란 형태의 공간에 자리했다. J.C. Architecture의 목표는 사이트가 가질 수 있는 단점을 극복하고, 나아가 실내에서도 태국의 길거리 분위기가 자연스럽게 녹아드는 매장을 만들어내는 것이었다. 디자이너는 여러 방식을 동원해 레스토랑을 태국 길거리 시장의 분위기로 꾸미고자 했다. 이를 위해 Dictator for Architecture and Design Thailand의 Bannavis Andrew Aribyatta와 공동작업을 진행했다. 공간은 대나무 그물, 이국적인 무늬의 타일, 그리고 수제작한 그네 등으로 채워져 있다. 레스토랑의 천장과 벽체를 구성하는 모든 대나무 구조물은 열대성 기후를 가진 태국의 휴양지 분위기를 자아낸다. 레스토랑은 쇼핑센터 실내에 위치했으면서도 야외에 있는듯한 느낌을 줄 수 있는 방식으로 공간을 구획했다. 천장의 캐노피가 이어져 내려와 레스토랑 외부의 시선을 은근하게 차단하는 벽을 조성하는데, 이는 내부에서도 외부에서도 레스토랑을 돋보이게 한다. 고객들은 대나무 그물이 드리우는 그늘 아래에서, 혹은 여유롭고 유머러스한 그네 좌석에 앉아 태국 전통 음식을 맛보고 이국적인 정취를 마음껏 즐길 수 있다. Siam More 레스토랑은 Taipei, Taoyuan, Hsinchu 등의 도시에 여러 개의 매장을 가지고 있는 유명 다이닝 브랜드다. J.C.A.의 이번 프로젝트인 Breeze Center 지점은 태국을 표현하는 여러 이미지 중에서도 ‘로컬 마켓’을 지점의 컨셉으로 정했고, 사이트가 가지는 좁고 길다란 구조가 어우러져 이국적인 태국 길거리 시장의 정취를 즐길 수 있는 레스토랑, Inbetween A Thai Street가 탄생했다 This project is a Thai food restaurant, located in Breeze Center of Xinyi district. With the site is very long and narrow, J.C.A.’s goal is to deal with the common problem in shopping mall, and provide a genuine Thai culture experience. Inspired by the height and narrowness of the site, they envisioned the space as a long market street in Thailand. They place several working counters separately in the restaurant, like vendors sitting in Thai markets. In order to enhance the idea of Thai market, working with Bannavis Andrew Sribyatta from Dicator for Architecture and Design Thailand, they work together to combine the Thai craftsmanship with the space. Hanging bamboo nets which were made by old Thai masters, with the light casting through, creating beautiful shadows on the ground. The bamboo nets are also used to separate the dining area and aisle area, but also connect the relationship between inside and outside. Space is embellished with exquisite bamboo baskets, decorative tiles, hand-made and white swing chairs. People can be casual and relaxed in this open space. Whether to dine under the bamboo shed, watching Eszter Chen’s masterpiece, or to jump on the cozy swing chair, enjoying the traditional Thai-food. They tried to blend rich Thai elements in the space, to guide people to submerge into an experience like a Thai Market.

Endless artistic taste

As the first concept store of Zuideyi · Fujian cuisine catering brand upgrade strategy, the restaurant's new positioning hopes to provide the urban young people with a stylish and intimate dining experience. Apart from the problem of mainstream business operations, designer Huang Feng began to think deeply about the relationship between food and culture, fashion and tradition from the inherent perspective created by the environment. By extracting the order of the traditional courtyard pattern and the manners it carries, the paper expresses the emotional communication channel accessible to the heart, and uses the beauty of memory to create a long-lasting warm heart painting. The wooden grille that flows from the ceiling to the wall, the huge bay window captures the scenery from afar, making the waiting area look like a quiet pavilion on the long road, allowing people to rest for a moment when they are tired, urging to continue to walk forward. The landscape of distorted and vigorous old tree branches stirs the distant life memories moving with the wind. The black abstract art in modern and avant-garde, the thoughts are pulled back to this moment, and the indoor and outdoor scenes are declared with a calm attitude. The dining area welcomes every guest by a completely transparent and open layout. The drama that was originally retired revived through the reorganization of the background and the continuation of the story. The open kitchen follows the best of hospitality and offers a wide range of culinary delights at it best. The reasonably arranged table combination method solves the passenger flow demand with great predictability. The dotted lights scattered on the ceilings, like shining stars, gently accompanying people who come from the water and enjoy themselves. As an expression of contemporary art aesthetics, the ingenious involvement and use of metal elements makes the space more dynamic and interesting. The metal curtains with banyan patterns above the kitchen, and the high-pitched, glossy metal box jointly create a powerful trend statement. Like the ego truly exists after stripping away the real self that exists after daily life, you need to wait for a good opportunity to discover. Each group of works with the theme of “body and expression” becomes a unique space, and the silent expression is both interesting and thought-provoking. When there are all kinds of dazzling foods, people's pursuit of the restaurant is no longer a simple temptation, but also a yearning for the food culture and the spiritual space built by it. The newly dizzied courtyard life scene subverts the dull and monotonous dining experience, balances the modern business trend with a fashionable artistic style, and recalls the lost public space in the indifferent city, allowing people to enjoy the food for stretching the taste buds but also harvest the comfort and abundance of inner mind.

Crystal Hall

Light has for long guided people in the exploration of the unsolved. In the unknown dome of Zone X depicted in the film titled "Annihilate", the foam-like glorious organization and the structure of laser surface bring people into a fantasy scene that only appears in dreams. “Light” is the clue that leads the role throughout the storyline of film. In a showroom named "Crystal Palace", the designer also created a mysterious and fancy scene for six special crystal lamps, just like the Zone X in "Annihilation". Unlike the place of annihilation as depicted in the film, you'll find fascinating exotic symbiosis in different locations from different angles. In view of the characteristics of six crystal lamps, "Crystal Palace" is divided into 6 different functional areas by the delicately designed wall. Acting as both a host and a guest, each lamp gives the information to guide the viewer forward in each independent space. All bearing structure in the space was hidden in the wall. The brass finish with hand-made corrugated texture forms a wonderful sense of flow with light and shadow, as if the biological texture of the micro world linking the sky and the earth to spread vitality everywhere. The inlay of diamond surface in the cracks of wall and the built-in variable lamp belt conceals the gorgeous galaxy of the vast universe in it. The turquoise marble and sparkling crystal diamonds enhance the role of lighting creates a great energy field which is gaining momentum to show. While the free-curving wall functions as a spatial partition, it can also be seen as an independent artwork in space. Between the real and the imaginary, the surface of engraved copper wall provides the subliminal displacement guidance for the viewers who step into the space. Combined with the gorgeous agglomeration light effect of the main lamp of each area, a natural and smooth moving line comes out. The third-floor ceiling follows the wall naturally, subtly concealing the grey spaces such as air conditioner and fire hydrant. The ground is mainly made of two types of black stones. In a simple style, the Gucci marble of black crystal jade texture echoes the crystal lamp of LollieMemmoli, thus creating the atmosphere of hidden danger and unpredictability. The areas accessorized with Baccarat chandeliers and that paved with luxury Versace marble light your way surprisingly...With the combination of various geometric cuts, the geomorphologic features of the mysterious caves are casually imitated, making each step an adventure. For the boundary that different stone materials meet at, the free-curve copper link is selected to act as the horizontal extension of wall while playing the role of partition space as well. To match this surreal, fantastical and fancy theme, the furniture featured the art furniture from Boca do Lobo, which is a Spanish brand. From the crystal marble dining table, metal-leg velvet chair to the sculpture-like tea table, sofa, and classic abnormal side cabinet, every single piece of furniture has the artistic magic which may rival that of the crystal lighting. While fulfilling the spatial atmosphere, it integrates the soft and hard decoration to become a natural part of the ecological the crystal palace. Shiny elements are first choice for all materials in the space to reach the optimal exotic texture and light effect and strengthen the dominant position of "light" in the space. "Crystal palace" is not only a lighting display space. Instead, it is more of an art gallery of light and shadow. By integrating the special optical intelligent scene setting and diverse materials and the collocation with unique soft decoration, the pure exhibition hall is transformed into an art space that can spark inspirations.

La Scala The Sukhothai Bangkok

La Scala는 Bangkok Sukhothai 호텔 내 이탈리안 레스토랑으로, 이곳은 수영장을 마주한 아름다운 테라스 테이블이 특징이었다. 15년 만에 처음으로 시도된 레스토랑의 리모델링은 매장의 과거 성공을 이어가기 위해 클라이언트가 직접 Ichiro Shiomi 디자이너와 spinoff 스튜디오에 의뢰했다. 레스토랑의 이름이 암시하듯, 공간은 이탈리아 Milan의 La Scala opera house를 모티브로 작업했으며 ‘아름다운 다이닝 시간을 위한 아름다운 공연장’을 컨셉으로 했다. 레스토랑의 천장은 La Scala opera house의 상징적이고도 아름다운 타원형 천장을 본떠서 기획했으며, 널찍하고 희미하게 빛나는 듯한 타원형 구조가 목조 루버 위에 떠 있는 것 같은 느낌으로 설계했다. 이 천정은 다이닝 공간 전체에 따뜻한 질감과 풍성한 조명을 제공한다. 천정의 타원형 구조를 지지하는 다섯 개의 검은 목재 기둥은 공간을 한데 모으는 듯한 느낌을 자아낸다. 기둥의 섬세한 무늬를 통해 천장에서 내려오는 은은한 조명이 반사되어 부드러운 분위기를 연출한다. 얇게 썰어낸 듯한 대리석으로 여러 층을 내 마감한 벽면이나, 바 카운터의 전면을 장식하는 TV 음극선 등, 기존에 사용했던 자재에 약간의 변화를 가미해 다시 사용하거나 재활용 소재로 새롭게 만든 오브제들이 인상적이다. 공간은 오픈 키친이라는 ‘무대’ 위에서 쉐프가 고객들의 시선을 사로잡는 ‘배우’가 되도록 의도했다. 방문객들은 레스토랑으로 처음 입장하면서 오픈 키친을 지나게 되는데, 무대 위에서 열연하는 듯한 쉐프의 퍼포먼스를 스쳐 지나가며 레스토랑에서의 시간을 기대하게 된다. 오픈 키친 뒤편의 모자이크 월은 쉐프의 요리 장면을 극적으로 부각하기 위한 장치이다. La Scala is the main restaurant in Bangkok’s storied Sukhothai hotel. Serving Italian cuisine, it features a terrace facing the pool. This remodel—the first in 15 years—was intended to carry on the venue’s past success while creating an impressive space that exceeds the expectations of new patrons. Taking inspiration from its namesake, the La Scala opera house in Milan, Italy, the design concept for the new restaurant is a “The Great Theater for Marvelous Moment.” La Scala offers guests an extraordinary experience of top-quality cuisine in a highly polished setting. Designed around an oval ceiling modeled on the iconic La Scala theater ceiling, the space provides a stage where chefs play attention-grabbing roles in an open kitchen. The use of original, reprocessed materials to create a distinctive atmosphere is especially noteworthy, for example in the walls finished with thinly sliced marble and the glittering counter fronts made from recycled television cathode ray tubes. The contrast between the relaxed atmosphere of the hotel overall and the refined restaurant space featuring outstanding cuisine makes for an ideal guest experience. The ceiling, comprised of a large, faintly glimmering oval floating within wooden louvers, brings warm textures and opulent lighting to the entire dining room. Five black pillars pull the space together while also contributing soft nuances through the delicate reflection of light off their sculptural finish. The core of the restaurant is the dramatic, stage-like kitchen. As guests pass this open kitchen on their way into the restaurant, their anticipation of the experience to come builds. The brilliant mosaic wall at the back of the kitchen is designed to serve as a backdrop that elevates the chefs’ performance to a dazzling show. Although another entire wall is covered by glass wine cabinets that highlight La Scala’s outstanding lineup of wines, but the kitchen nevertheless remains the central focus. The wine display wall and bar counter were carefully designed to avoid drawing excessive attention despite occupying a large space within the restaurant.

Don Pepe

붉은 네온사인이 강렬한 빛을 내뿜는 Don Pepe는 헝가리의 레스토랑 체인점으로 약 25년 동안 존재해 온, 헝가리 사람들에게 익숙하고 유명한 브랜드다. 디자인 팀 GASPARBONTA는 Don Pepe가 기존에 가지고 있던 브랜드 이미지를 탈피하고 현대적이고 미래 지향적인 브랜드로 새롭게 거듭나길 바랐다. 그 시작은 다른 레스토랑과는 차별화된, 독특한 분위기와 다양한 테마의 인테리어였다. 때론 모던한 분위기로, 때론 부드러운 이미지로 레스토랑 구역을 세분화해 다채로운 컨셉의 공간을 조성했다. 레스토랑의 메인 공간은 강렬한 느낌의 레드와 자연 친화적인 컬러의 대명사 그린이 조화를 이루고 있다. Don Pepe는 컨셉에 따라 세 가지 공간으로 나뉘는데, 화사하고 자연 친화적인 테라스 공간, 컬러와 소재 등을 활용해 강렬한 분위기를 풍기는 메인 공간, 다시 분위기 반전을 꾀한 내부 공간으로 구성되어 있다. 기존의 친근한 이미지와 미래지향적인 새로운 이미지를 결합한 메인 공간은 기하학적인 천장 패턴과 펜던트형 조명으로 감각적이면서도 유니크하다. 또한, 상충되는 느낌의 자재를 동시에 사용해 신비로우면서도 독창적인 분위기를 강조했다. 전체 공간을 비추는 네온사인의 빛과 거친 느낌의 회색 벽돌 벽, 익숙한 나무 바닥과 칸막이 등 전혀 다른 느낌의 자재를 활용한 독특한 조합으로 기하학적이면서도 독보적인, 새로운 컨셉을 추구했다. 공간의 중심에는 스테인리스강으로 만든 거대한 하이테크 바 그리고 테라스 공간과 연결되는 창문이 있는데, 이들은 내외부의 자연스러운 연결고리 역할을 한다. 입구 쪽에 위치한 테라스 형태의 식사 공간은 퍼걸러(pergola) 형식으로 설계했으며, 지붕에 열 수 있는 슬라이딩 글라스 벽 구조를 적용해 자유롭고 자연 친화적인 공간으로 구성했다. 나무와 이끼, 구리 등 천연 자재가 눈에 띄는 이곳은 작은 지중해 마을에 머무르는 듯 상쾌함과 시원함을 느낄 수 있다. 여기에 쾌활한 분위기와는 대조적으로 어두운 컬러와 밀도가 높은 구조로 설계해 마냥 가볍지만은 않은, 차분하면서도 건강한 느낌을 준다. There are very few better-known restaurant chains in Hungary nowadays like Don Pepe. The continued existence in the last 25 years made the brand well-known for the whole society. I got scared because our generation keeps building new brands, shape them to our liking, fine-tune it to our habits. Meanwhile, we have a large number of existing users here, regulars, so the goal was to reinvent the current concept and replace it with a contemporary, forward-looking approach. The way how the standards in gastronomy and restaurant culture are raised while the number of people who are able to enjoy it gives me ambivalent feelings. There is a part in the inner city, where high quality miracles happen in gastronomy or in design and very few people can afford to go and see them. As a start to the two-step renovation, we built an excellent pergola, which created a little oasis around the restaurant with its sliding glass walls opening roof structure. You can imagine yourself in any small mediterranean town just sitting there. As a contrast to this airiness, the interior was designed to be more dark, more sexy, more dense. There are a lot of natural materials visible like wood, moss and copper. The glow of the neon signs passes through the whole space, it glitters on the rough gray brick wall, the wooden floor and the shiny dividers also. In addition to these sensitive surfaces, there is a strong presence of strict geometry, in the triangular shapes of the pendant lamps, and the suspended ceiling and a strong parallelism in the dividers and the wooden wall coverings also. In the center of the space sits a huge, high-tech bar made from stainless steel with all the latest gadgets, which can also serve to the outside as well as the inside, due to the large new windows.

Rua da Cunha Macau hotpot in Beijing

The first time I met Rue de Cunda was about ten years ago, which was near our Beijng Studio. I vaguely remembered that it was a small door whose material was not quite clear to me. During that time, Macau hotpot was extremely popular. However, Rue de Cunda with little fame was not conspicuous. The taste was delicious but the price was not expensive, and slowly we became the regular customers. A few years later, when we walked through the restaurant and found that it had merged the store beside it. Of course, we do not know what they have done in the last few years. Until one day, Frankie, the owner of Rue de Cunda, found us and commissioned us to help him design a new branch store, which was located in Beijing CBD. Our roles changed from the restaurant's customers to the designers of Rue de Cunda. From then, we had acquired a deep understanding of the Rue de Cunda Street. Our congenital advantages are the experiences and cultures of restaurants' development. The name of this brand was derived from a Macau Street “Rua da Cunha”, where Frankie grew up. This name represents the solicitude for hometown of Macao. No matter how far he walked, the taste of hometown will be very familiar and stubborn in his mind. Like a kite flying in the sky, one side combines the place thousand miles away and the other side always connects the home of deep memory. Maybe I can imagine the hardships that Frankie encountered when he started his business ten years ago. Rua da Cunha is keeping pursuing the original tastes of food whether in the past or at present. “Eating is the basis of Macau people.” Eating has been the most important thing of people. In nowadays, it is easy to have enough food, but it is hard to eat with high quality. Rua da Cunda has achieved the best. Fresh seafood by air transportation, brilliant Australian beef and fresh vegetables from organic farms ensured the original taste of foods. The soup which has been boiled for more than eight hours makes it more perfect. When you drink the soup at the beginning, you will never regret this voyage. The Rua da Cunda restaurant seats the most prosperous place in Beijing CBD with the best landscape of East Third Ring. The french windows make you have a beautiful panoramic view of CCTV. At the initial stage of our design, we determined to use glass curtain landscape area as the breakthrough point. By using the original subsidence space to create a Miniature Theater, from the lowest point (french windows) to highest point (interior space), which forms three levels, at the same time, each one could appreciate fine scenery. The rest space of this restaurant is more private, which are suitably used as compartments. Meanwhile, it can improve the efficiency of the whole space. We mainly used the logs, other natural materials and the most primitive methods to create a rich spatial effect. It is worth mentioning that the facade. The original red line is half curve, which will be bound to be planarization and cannot be combined with interior space. Since we changed the curve into a broken line, which makes plain facade variable and full of the sense of rhythm. At the same time, with the utilization of time and space conversion relationship, it virtually increases the restaurant display surface through extending the length of the facade. Of course, there were many difficulties in the process of construction, such as the difference between ground water grindstone and copper plate density, which made the ground black and insufficient flatness. Also, the size of the log was not consistent with the site size. And then there were the smallpox models that covered the fire sprinklers and so on. Sometimes, the problem is difficult to foresee, but it is also the charm of design. The emergencies can help us to gain the abilities on solving the problems and increasing our enthusiasm on design. Each project is a fresh task and each case is unique. We keep on learning and designing on the way forever. The identity design was derived from inheriting tradition and creating classic spirits. By using oriental jade green with classic bronze gold to present design consistency and extend the image of enjoyment of gathering together. The typeface design is divided into two parts. The top part of the logo shows the steam evaporation when you open the pot lid. End of stoke is symbolized how the hotpot amaze your taste which is fresh and impressive. The design concept comes from hotpot steam and turn it into symbols. By using layers together into a stack not only to present steam rises, but also enhance brand awareness and imagines.

The Budapest Café

영화 ‘그랜드 부다페스트 호텔’, ‘문라이즈 킹덤’ 등 풍성한 색감으로 ‘색감 천재’라 불리며 다양한 이야기를 영화에 담아내는 영화감독 웨스 앤더슨(Wes Anderson). 그의 작품에서 영감을 받은 The Budapest Café’는 이름과 달리 중국 청두(Chengdu)에 위치해 있다. 색감 천재라 칭송받는 웨스 앤더슨에게 영감을 얻은 만큼 The Budapest Café는 아름다운 컬러감과 안정적인 컬러의 조합, 유니크한 분위기가 조화를 이루고 있다. 화려한 영상미와 아름다운 컬러 팔레트로 유명한 영화 ‘그랜드 부다페스트 호텔’과 마찬가지로 The Budapest Café는 민트, 핑크, 골드 등 마음까지 설레게 하는 파스텔 톤을 최대한으로 활용해 디자인되었다. 디자이너는 카페를 방문하는 이들이 일상의 번잡함에서 잠시나마 벗어나 편안함과 즐거움을 느낄 수 있기를 바랐다. 마치 솜사탕을 녹여 먹는 듯 달콤하고 간지러운 기분마저 들게 하는 인테리어는 예쁜 카페와 SNS 문화를 즐기는 여성들을 타겟으로 여러 포토존을 갖추고 있다. 기발한 웨스 앤더슨의 스타일을 현대적이면서도 미니멀하게 해석한 The Budapest Café는 외관과 내부 곳곳에 아치형 구조를 활용해 웅장함과 아기자기함이라는 반전 매력을 동시에 가진다. 내부는 자신만의 이야기를 펼칠 수 있는 무대로 연출해 공간마다 그리고 고객마다 색다른 이야기를 표현해낼 수 있다. 특히, 행잉체어와 계단, 네온사인, 독특한 디자인의 조명 아이템은 공간에 머무르는 것만으로도 신비롭고 아름다운 동화 속 주인공이 된 듯한 기분을 불러일으킨다. 대리석과 다채로운 그린 톤이 어우러진 메인 공간은 입체적인 구조로 대칭을 이루고 있는 아치형 프레임과 벤치형 좌석, 테이블로 구성되어 있다. 한 가지가 아닌 여러 톤의 그린 컬러를 활용해 유니크하고 감각적인 공간으로 완성되었으며, 바로 옆에는 위층으로 이어지는 계단이 있어 동선이 자연스럽게 이어진다. 전시 조형물이 떠오르는 계단 맞은편, 기다란 대리석 바는 테이블과 선반, 케이크를 보관하는 유리 쇼케이스가 결합된 형태로 심미성과 실용성을 동시에 추구했다. 핑크빛 풀장과 장난기가 느껴지는 비눗방울 의자, 열쇠 모양 네온사인 등 여성스러움과 아기자기한 즐거움을 느낄 수 있도록 설계된 The Budapest Café는 부드러운 색상의 조합과 대조가 인상적이며, 독특한 디자인을 통해 하나의 감각적인 브랜드로 자리 잡았다. Filmmaker Wes Anderson’s distinctive visual style provided the inspiration for The Budapest Café in Chengdu, China. Our design draws on Anderson’s meticulous, memorable and magical worlds to create an inviting destination with whimsical character and international appeal. Much like Anderson’s mythical Budapest Hotel, The Budapest Café is designed to offer an experience that detaches patrons from the hustle and bustle of everyday life. The client specifically engaged an Australian design practice to create an international hospitality experience, and requested a space that would appeal to social media-savvy females who enjoy café culture. We began by understanding Anderson’s style: his symmetrical, precise and quirky set designs; vivid and nostalgic colour palettes; and the sentiment that infuses his films. Our modern, minimalist and refreshing interpretation is defined by design, materiality and brand. The building façade projects a sense of grandeur with an arch framing the entrance and welcoming patrons to The Budapest Café. Once inside, customers are invited to engage with the physical design of the café, much like a stage set for patrons to play out their own story. The Budapest Café is designed to feel feminine, light and fun, despite its loftiness and exposed structure. A pink ball pool, neon signage and original Eero Aarnio Bubble chair inspire playfulness, and the bathrooms surprise with speckled pink terrazzo to complement and contrast with the nostalgic-green hues of the café. The contrasting hard and soft colours and design details reflect the personalities of Anderson’s characters in The Grand Budapest Hotel, enhanced by branding integrated into the café through signage, menus and printed collateral.

#24 CATHAY RESTAURANT

#24 Cathay Restaurant, innovatively redesigned by Jaco Pan of Minggu Design, is located at Guochuang Park in Nanjing City, China. This historical park is adjacent to Ming Great Wall on the west and Qin Huai River on the east. The site had originally been the Silver Dollar Bureau of Jiangnan Region in the late 19th century before transformation to work as the Secondary Machine Tool Plant Nanjing in the 1950s. Extending nearly 130-year industrial context, this place’s been maintained and updated after the public realization of the reversion of old relics. Today, it’s become a foundation developing culture and creation in the local. 24 presents the twenty-four solar terms in the Chinese tradition of meteorology, suggesting that the restaurant uses seasonable fruits completely while auxiliary with today’s cooking tricks to give a rebirth to the Huaiyang Cuisine. This is also the intact purpose why the owner hopes to operate the restaurant there. Thus, the architect was commissioned to transform the existing old building in order to blend the essence of the brand seamlessly into a new space where visitors are able to celebrate the elegance and tranquility, while keeping the ambiance creative and pleasant. The layout appears opening up both to the west and east sides in form of a deep rectangle. One of the entrances ruling as the main access is close to the roaring avenue, oppositely, another to the standalone inside of the park. A single-storey building with a height of 10 meters was divided into three parts: the ground floor serves as public dining area and semi-open kitchen with supplementary floor height down to the underground; 6 private dining rooms and 1 teahouse & library combination are separated into the north and south sides of the corridor on the second floor; the third floor consists of offices, workplaces, and several independent private dining rooms. Visitors will find the interiors have a wise composition and explicit functions. But the circulation presents much interesting to get people an interlaced vision of placing themselves in the dreamland. The variational arrangement makes an ambiance that leads diners to experience the course of exploration of curiosity to openness and clearness. This unforgettable tour helps people forget bustles and noises outside and reach the core of the restaurant. The entrances on the two sides feature characteristics respectively. The main entrance facing the main street features giant dark eave extends outward. 2 tremendous natural slates and a row of bamboo-made barrier beneath the roof form a spontaneous transition. A large number of floor-to-ceiling glasses were used to make up the façade. The brand sign suspended on the right corner of tall narrow and massive wood door stays non-conspicuous intentionally. The relative position of timber door on glass façade was examined carefully, which directly faces the entrance to dining rooms of the restaurant on the ground floor. For one thing, passengers passing by the avenue can easily catch sight of the chic ornament in the lobby but not get access visibly to the public dining area; for another, necessary privacy is retained while introducing natural light into the room. The entrance on the west side is totally different. Three giant darkened sections built in the common brick façade focus the entrance to the enteral place. Contrasting with the exquisite brass-made logo, it endows a sense of modern industry. The overall hue of the restaurant manifests elegant. Walls and ceilings are mainly covered with white painting and light-colored wood. The public area is covered with cool dark stone, while the private rooms have relatively warm solid wood floorings. The functional areas are unaffectedly separated visually and perceptibly. Entering the restaurant from the main entrance, visitors reach the ground floor via the lobby. In this sunken space, the common dining area and the semi-open kitchen reside in parallel. The architect hopes that the relation between the diners and the kitchens at this moment can be standalone and associated, which could be expressed in a more informal manner as "Broken Up". bar-shaped dark steel plates are arranged longitudinally to form a grille on the glass facade of the kitchen. In this way, during the course of the shuttle, the grille in marching forward direction completely blocks the sight, and it is visible only when standing and facing against the grille. On the other side of the public dining area, the architect used a screening wall made of rice paper to block the messy light and mottled walls out of the dining space. The slightly rough surface of Chinese art paper softens light and shadow. In order to introduce the idea of "bamboo forest" into the interior from the outside, the architect set up a number of perforated black metallic tubes inside and outside, and light sources were placed in the tube to simulate the shape of the bamboo. When night falls, dim light oozes out of the hole in the metal pipe, just like the fireflies in the bamboo forest in summer night, blurring the bound of downtown and countryside and yearning for the nature meanwhile.

MU'A Coffee Shop

아름다운 환경과 기후로 여러 관광객들이 찾아오는 베트남 다낭에는 철골구조를 그대로 노출한 건축물들이 많다. 이런 건물들은 주로 사용 목적과 편의에 따라 공장이나 임시주택 등인 경우가 많기 때문에 아름다운 건축물로는 어울리지 않는다는 인식이 강하다. 85 Design의 유능한 건축가 To Huu Dung은 철골 구조를 노출한 건물들도 늘 드라이하거나 딱딱한 외형이 아니라 얼마든지 매력적이고 고급스러운 공간이 될 수 있다는 점을 증명하고 싶었다. 디자이너의 의도에 의해 단호한 톤의 검정 골조, 러프한 적벽돌로 마감한 MU’A COFFEE SHOP은 주변에 없는 입체적이고도 신선한 핫플레이스가 되어 행인들의 발길을 이끌기 시작했다. 베트남에는 노천카페 스타일로 야외에서 커피를 즐기는 문화가 있다. 이런 분위기에 걸맞도록 MU’A COFFEE SHOP은 내부와 외부의 경계가 뚜렷하지 않도록 구성했다. 파사드는 MU’A COFFEE SHOP의 앞글자 M을 본 딴 듯 설계했고 커다란 창과 조적으로 거리를 향해 열려있는 듯한 분위기를 연출했다. 벽면의 창문은 반듯한 정방형이 아니기 때문에 외부에서 내부를 바라보는 모습이나 채광까지도 입체적이다. 좁고 깊숙한 건물의 1층 안쪽에는 카운터가 자리했고, 중간에는 기둥 없이 노출된 계단을 활용했다. 천정을 트고 위에서부터 화분과 조명이 내려오도록 늘어뜨리거나 2층으로 향하는 계단 아래에 작은 수조를 설치하는 등 재미있게 구성한 1층 공간은 개방감이 들면서도 참신한 디자인이 돋보인다. 2층 역시 1층과 마찬가지로 검은 프레임과 붉은 벽돌, 거리의 바닥을 그대로 옮겨온 듯한 아스팔트 색으로 꾸몄다. 그러나 사선으로 구성한 창이나 입체적으로 절개된 듯 트인 파사드를 통해 외부의 시간 경과에 따른 채광을 좀 더 변화무쌍하게 즐길 수 있다. 목공소에서 공수한 폐목재 등을 재활용해 선반, 책꽂이를 만들거나 클라이언트가 길가에서 주운 독특한 형태의 목재로 천정의 조명 등을 구성했다. 단순한 듯 재미있는 구성이 돋보이는 MU’A COFFEE SHOP은 입체적인 인테리어와 베트남의 정취를 한꺼번에 느낄 수 있는 커피숍 공간으로 탄생했고, 클라이언트와 매장을 찾는 관광객들, 현지의 고객들 모두의 찬사를 받으며 다낭의 거리 위에서 랜드마크의 역할을 톡톡히 해내고 있다. In Vietnam, you can easily find them around the country and these steel buildings have been built for different purposes of use. Therefore, most people still think of steel buildings as factories, temporary houses and they can hardly become a beautiful building. Steel buildings are neither dry nor rigid. Steel buildings can completely make attractive and high quality works. Mua Coffee was built with the purpose of a pavement coffee shop. Because in Vietnam, the culture of eating and drinking on the pavement is very popular. So Mua coffee shop is designed to be airy, space inside and outside seems to have no separation. The most impressive is the floating space in the middle. In there, I designed the long pots hanging from the third floor and received the light directly from above by the glass panels, and they were used to make the coffee table on the third floor. In addition, I used a lot of simple materials such as tiles arranged to get the maximum light and wind, however, sun and rain must be not bad for customers. I used the redundant wood in the carpentry workshops to make shelves and bookshelves, even the lamp made from the dead tree that the owner picked up the roadside. With a capacity of 250 people, the private space of the customer is always guaranteed because the furniture is arranged at a reasonable distance. Most customers come here have good feedback on this project because they satisfy their many requirements for a coffee shop with beautiful, simple, unfussy but unique space.

BLUFISH Restaurant

왕푸징 APM Shopping Mall 지하에 위치한 BLUFISH Restaurant은 독특한 인테리어의 프렌치 레스토랑이다. 이곳은 판타지와 다채로움으로 가득한 수중의 모습을 담고 있다. 화이트를 베이스로 한 벽과 천장에는 블루, 핑크 컬러의 금속 그물망이 공간을 에워싸듯 아름답게 채우고 있으며, 공간 한쪽 전체 벽면에는 거울을 설치해 신비로운 느낌과 함께 공간이 더욱 넓어 보이는 효과를 주었다. 여기에 파스텔 핑크, 머스터드 컬러 의자와 대리석 테이블을 매치해 우아하고 여성스러운 분위기를 풍기는데, 의자와 테이 블 모두 골드 컬러의 레그로 통일성과 함께 고급스러움이 느껴진다. BLUFISH Restaurant의 벽은 곡면 형태로 구성되어 부드러운 이미지를 부여함과 동시에 공간 높이를 최대한으로 활용 할 수 있었다. 천장과 벽면 일부, 바닥에 사용된 패턴은 산호와 수중 생물을 표현했는데, 이는 직접 손으로 그린 듯한 단 순한 디자인의 6가지 종류 패턴으로 구성되어 있다. 패턴은 동화처럼 아름답고 따뜻한 색감을 특징으로 하며, 화려하면서도 반투명한 소재로 진짜 물 속에 있는 듯 유니크한 시각적 효과를 준다. 레스토랑 내부는 직선 또는 하나의 매스형 공간이라기보다 작은 여러 개의 공간들이 모여 이루어져 있다. 마치 해저 동굴과 같은 깊은 구조는 총 4개의 유닛 공간으로 구성되어 있다. 곡면인 벽과 닮은 둥근 배열의 식사 공간들이 내부 곳곳에 자리하고 있으며, 이는 식사를 즐기는 이들에게 아늑하고 독립된 느낌을 준다. 주방과 식사 공간을 분리하는 벽의 눈높이 위치에는 가로형 창이 길게 나있어 주방에서 요리하는 모습을 볼 수도 있고, 쉐프와 손님이 눈을 맞추며 소통도 할 수 있다. 벽 하단에는 공간의 포인트 컬러인 골드 빛의 간접 조명을 설치해 레스토랑의 고급스러운 이미지를 더욱 부각한다. BLUFISH-APM RESTAURANT Located on the basement level of the APM Shopping Mall in Wangfujing. Our restaurant created an underwater world full of fantasy and mobility with white as basic tone and a blue and pink colored metal mesh extending down from the top of the ceiling. The sense of continuity of two dining areas has been enhanced with the natural curved surface shape of the space, making the maximum use of layer height effectively. It extended the space as well, creating four units like undersea cave as more independent dining location. To echo the theme of the restaurant and express the warm colors of the scene, after several rounds of deliberations and attempts, we chose six kinds of hand-drawn sketches that looks fairy tales-like, easy and warm to represent the underwater coral and aquatic plants and fish groups. And use laser to cut the metal mesh to make these patterns, then attached them to the white curved surface model. In order to create a unique underwater image: gorgeous, translucent, vague, unstable visual effects. It is expected that people will feel cozy and relaxed indoors, as if there is fresh air of the Mediterranean Sea in Southern France blowing.

Holy Chick

Holy Chick은 이름처럼 치킨을 주메뉴로 하는 레스토랑으로 개방적이고 직접적인 화려함과 고전적인 우아함을 재치있게 조합한 인테리어를 특징으로 한다. 통유리 창으로 내부가 훤히 보여 자유분방한 느낌을 주는 외관은 주변을 지나는 사람들에게 실내의 독특한 분위기를 그대로 드러냄으로써 사람들의 발걸음을 내부로 이끈다. 목제 테이블과 그레이톤 의자, 철사를 꼬아서 만든 특이한 디자인의 샹들리에 등으로 모던함과 빈티지함이 모두 느껴지는 내부는 오픈된 장소에서 사람들과 소통할 수 있는 1층 메인 공간과 조용한 분위기에서 프라이빗하게 모임을 가질 수 있는 복층으로 구성되어 있다. 1층 메인 바 공간에는 유니크한 조형물의 기능을 하는 펜던트형 와인잔 거치대와 오래된 느낌의 가구로 빈티지와 앤틱함이조화를 이루고 있다. 주류를 전시해놓은 오픈 선반에는 간접 조명을 설치해 은은하면서도 로맨틱한 분위기를 풍긴다. 일반 레스토랑이라고 보기엔 독특하고 생소한 요소로 가득한 Holy Chick은 전체적으로 어두운 조도에 간접 조명을 설치한 것만으로 깊이 있는 무드를 끌어낸다. 바닥은 균열이 있는 아스팔트 형태의 골드 자재를 사용해 거칠지만 은은한 반짝거림으로 고급스러움이 느껴지며, 1층 기둥과 천장 등 공간의 기본 베이스는 콘크리트 월 패널을 사용해 차가우면서도 생경한 느낌을 준다. 식당 카운터는 홀처럼 구성되어 있어 소위 닭장(Chicken Coop)이라 칭하는데, 튀어나와 있는 구조의 2층 공간 하부에 위치해 아늑하고 정적인 분위기를 풍긴다. 유니크한 요소들뿐만 아니라 레스토랑 내부에는 다양한 Easter Eggs가 눈에 띄지 않게 숨겨져 있어 숨은 그림을 찾듯 색다른 재미를 느낄 수도 있다. 화장실 내부는 청결을 위해 흰 정사각형 타일로 구성되어 있으며, 문은 스테인리스강으로 제작해 독특한 분위기의 메인 공간과 일관성 있는 전개를 이어간다. Holy Chick it's a restaurant that tactfully combines frank rudeness with the elegance of classical elements. The very name of the restaurant already indicates the guest that its format and kitchen are devoted to chicken - its main product. From the entrance reveals the ironic character of the concept of the establishment: the ground near the entrance is the embodiment of such a "glamorous" chicken house, and the door handle on the front door is executed in the form of the famous gesture of Winston Churchill's "victory hand". In the interior are hidden various "Easter Eggs" imperceptible at a glance: the chicken paw inscribed in décor of the ceiling socket, the floor is made in the form of asphalt with gold cracks, the holder for bocals over the bar are made in the form of the conveyor belt in a poultry factory. It's no coincidence are woven classical chandeliers from wire, because this material is the main on the poultry factory. The bathrooms are laid out by the white square tile, doors are made from stainless steel, which generally resembles the industrial rooms in the poultry farm. In addition the hall on the ground floor is decorated by wall panel in the form of classical eggs cells from concrete. The counter of the restaurant is a superstructure above the ground floor where is a small hall, so-called the chicken coop. His motives are created at the expense of light, which breaks through the old boards from the village chicken coop, by which is sheathed this hall.

Water Bay 1979 [Over the Clouds] Club

Water Bay 1979, the first city complex community based on art in China, has invited the top artist of China and professional institute of art to conceive the project from A to Z. In the terms of work composition and after-hand-over operation and so on, this project undoubtedly has been entitled the public aesthetic space of human-habitat. But Water Bay 1979 Club, presenting fundamental role as a sales office, plays to the extreme the design method blending contemporary art. “There is nothing immortal, including art itself; but the only immortality is the understanding to mankind and the world from art.” This is the precise definition of art that Vincent van Gogh spent his whole life to figure out. Water Bay 1979 is located in the core zone of brand-new Shekou of Shenzhen and its sales office 0ccupies the entire 24th level of the property building. After the architect approached the design based on the customer’s demand, exceptional natural landscape sight cast into the interior space was confirmed afterward. ‘Journey On The Cloud’, as the essential start point of intervention, was implemented to build a club that creates an ambient of ‘When shall I reach the top and hold all mountains in a single glance.’ The club is connected by lift and set in front of the reception desk with an easily accessible distance. Visitors are welcomed by the sensation of art filling the whole space. The reception desk featuring whitened suitcases shows its warmest hospitality and let visitors feel at home, incorporating white-paint old wood boards that fade out and fade in, to create an attractive atmosphere of unsophisticated simplicity and modernism. Relaxing sense of beauty in vision, a distinctive breath of humanity and greatest comfort in body and mind, such feelings are the first impression given by the 8.2-metre space on the high-raised floor in the hollow layer. The illuminant letters on the wall – You Are What You Live – declares the property’s vision for the artistic residential project. Avant-garde furniture decorates the interiors and brings Excelsior experience of art to all visitors. Pop Art loved loyally by young generations gets to be alive in the club. ‘Gradual change’ is not only a technique to achieve the design in term of materiality, but also a friendly expression in the meaning of design. “In the soil of history enriching our background of humanity, there comes out a new fashionable art. It is the development of the project that we can witness such significant change”, the architect announced. Ethereal and elegant pendants in each functional areas, colorful fade-out-and-in pattern carpets and dense and sophisticated Mosaic graphic patterns in the toilet work together to let gradual change become vivid and glamorous. Overlooking from the club, it feels like walking on the clouds. Far away, the sea and the sky merge with each other. The exquisite scenery of this coastal city gives you great visual experience. When the sunshine comes in through the glass windows and reflects different shadows as time goes by, you can feel the vibrant photosynthesis of the tall green plants nearby. Sitting opposite with friends and drinking a cup of coffee, you will feel bright and clear through this travel over the clouds. When the night falls, soft halo glows into the visual space, giving it more temperament connotations and visual hierarchy. Walking over the clouds, you can feel rich cultural and artistic atmosphere flowing in this smart and quiet space. Sitting on the comfortable couch, you can find a post house that makes your heart peaceful. Watching the world over the clouds, you can say goodbye to the hustle and bustle of the mundane world and achieve inner peace.

BAO restaurant

세계 3대 대도시로 불리는 싱가포르, 홍콩, 뉴욕의 세련된 분위기와 넘치는 에너지를 그대로 구현한 Bao Restaurant은 우크라이나 키예프에 위치하고 있는 현대적 스타일의 중식 레스토랑이다. 동서양의 입맛, 취향 등의 차이를 넘어서고자 한 Bao Restaurant은 붉은빛 조명과 웅장한 공간감, 빈티지한 느낌을 주는 파 벽돌, 인더스트리얼 천장 구조, 다채로운 동선, 전체 분위기를 압도하는 화려한 조형물 등으로 일반 레스토랑과는 전혀 다른, 강렬한 인상과 이색적인 분위기를 풍긴다. 전통과 새로움이 절묘하게 조화를 이루고 있는 Bao Restaurant에 들어서면 독특한 아시아의 분위기를 느낄 수 있다. 도자기와 붉은빛, 물, 불 등 중국을 대표하는 전통 요소들을 공간 곳곳에 자연스럽게 녹여냈다. 붉은색이 중국에서 행복, 부와 번영 등을 의미하는 만큼, 조명과 테이블 등에 붉은 컬러를 활용해 레스토랑에 긍정적인 분위기를 더하고자 했다. 천장에서 쏟아지듯 내려오는 조형물로 장엄함까지 느껴지는 메인 바(Bar) 공간에는 다양한 주류를 오픈 선반에 진열해 자유로운 Bar의 분위기를 구현했으며, 다양한 간접 조명을 활용해 몽환적인 느낌을 주었다. 레스토랑 내 가장 독특하고 아름다운 공간을 손꼽자면, 긴 커뮤니케이션 테이블이 마련된 메인 식사 공간이다. 약 50명의 손님이 나란히 앉아 식사를 즐길 수 있는 이곳은 소규모로 식사하는 우크라이나 사람들과 다르게 화합하고 소통하는 아시아 사람들의 특징을 고스란히 담고 있다. 탁자 위 천장은 천 개의 도기 타일로 꾸며져 화려함의 진수를 보여주는데, 이는 한 마리의 용을 떠오르게 하며, 영롱한 빛을 내는 각각의 도기 타일은 동양에서 고귀한 생명체를 뜻하는 잉어를 상징한다. 내부는 메인 식사 공간과 다수의 작은 테이블, 벤치식 소파, 오픈 키친, 화장실 등으로 구성되어 있다. 식사 공간에는 황동 테이블을 사용해 차갑지만 고급스러운 분위기를 더했으며, 기다란 테이블과 작고 아늑한 테이블을 모두 배치해 원하는 식사 분위기에 어울리는 테이블을 선택할 수 있도록 했다. 또한, 중앙에 위치한 오픈 키친은 유리창으로 둘러싸여 있어 투명한 요리 과정을 보여준다. 높은 천장은 중국의 대나무 숲에서 영감을 받았는데, 대나무 대신 금속 스틱을 설치해 기하학적이면서도 유니크하고, 공간감과 함께 웅장한 분위기를 조성한다. BAO is a modern Chinese restaurant that embodies the atmosphere and energy of three egalopolises – Singapore, Hong Kong and New York. We used Asia and US Chinese restaurants as a guide for the new place. Thus, the idea of cosmopolitanism and cultural migration between the East and the West was represented. As far as our client designed this restaurant for Kyiv citizens, Chinese cuisine has been adapted to the food excesses of the Europeans. BAO, we find ancient traditions closely intertwined with innovations. When the customer comes in, he feels Asian atmosphere, where everything is linked, integral and as consistent with Feng Shui. Using distinctive details, such as ceramics, red spotlights, water and open fire, we showed Chin from its traditional side. Before going to table, the guests pass through specific carved portal leading to the restroom zone. Crossing the threshold of the portal, they purge themselves of a negative energy. In addition, while entering they hear mysterious whisper in Chinese. Pronounce words mean happiness, wealth and prosperity. Such an approach is now possible thanks to the directional sound system. On the ceiling above the table, one can see the main decorative element of the space 0 the scale of the Dragon diving into water. The installation consists of the thousand ceramic tiles, each of which symbolizes Koi fish. As Chinese legend has it, any fish that gains the Dragon Gateway up the river turns into dragon. Waterfall at the end of the room embodies such a gateway. Surely, one of the main points of interest is a kitchen. It is fully open, placed straight on centerand surrounded by glass windows only. Thanks to this approach, guests can oversee the kitchen teamwork, notwithstanding where they sit. Not accounting for technical light, all the lighting and many pieces of furniture were developed individually and manufactured in Ukraine. They were done in minimalist style, thus placing greater focus on the complicated morphology of installations.

FORUS VISION

FORUS VISION came from the trust of an old customer. After FORUS,original space of the first floor have a lot of appointed customers everyday because the unique business philosophy of the owner. The owner do each tonality well and sincerely. You will find some new changes when you arrive at FORUS at each time. Wedding brands were increase at here, there were some new props. The updating frequency is too fast. So we made a comprehensive change in May of this year and expanded a VIP zone with enormous new photographic creation space. It is FORUS VISION. Because of the trust of owners, so FORUS VISION also find me at this time. FORUS hopes to each bride who came to the shop will try on a garment in the best situation from the beginning. And provide a rest space for girls who experience a stress marriage. The wish is seem to be simple but we need to achieve it through continuous adjustment and operation to make everything well. Although in many people's opinion, the studio is nothing more than a shabby warehouse about to take pictures in front of different color background board. But for us, we still hope that everyone takes pictures with a good experience. In the design of the space, we use tulle as inspiration, use a lot of soft flowing lines to create a sense of soft. Hope that we can feel comfortable and warm when staying here. In the space of FORUS VISION, we provide brand new customized scenes, and add a lot of shooting clothing and accessories, so that the fairies who come to take pictures have more choices. VISION also has two separate dressing room and a spacious communal dressing room, which will bring a better experience for the pre-photography. The reception area and lounge area have become more spacious and comfortable. Pick a photo in front of a floor-to-ceiling window, watching sunset, super romance! The new FORUS VISION has four independent studio, from Hanabusa, sun room, European-style to creative industries style to provide more possibilities for shooting.

Milk. Black. Lemon.

Ryusuke Nanki는 DSA 2014 골드 어워드, 2015 AdFest 동상 수상 등에 빛나는 젊고 실력 있는 일본의 디자이너로, 특수 디자인, 컨텐츠 디렉팅, 전시 플래닝, 제품 디자인 등을 포함해 광범위한 분야의 디자인 작업 경력을 가지고 있다. 그가 최근 작업한 기린(Kirin) ‘오후의 홍차(午後の紅茶)’ 브랜드 컨셉스토어로 출범한 Milk. Black. Lemon은 기존의 전통적이고 보수적인 찻집 인테리어와 다른 매력을 뽐내며 도쿄 홍차 매니아들의 발길을 이끈다. Milk. Black. Lemon은 ‘Good rest with Tea, 맛있는 홍차를 마시며 휴식을 즐길 수 있는 공간’을 컨셉으로 한 티(Tea) 스토어다. 이곳은 끊임없이 새로운 유행이 도입되는 커피 업계와 달리, 별다른 이야깃거리가 없이 정적이던 ‘차 업계에 매일 새로운 뉴스를 만들어 내는 공간’을 표방하며 꾸며졌다.이곳을 점잖거나 커피숍과 다를 바 없는 여느 차 살롱과는 완전히 다른 새로운 공간으로 꾸미기 위해 디자이너는 공간 디자인의 모든 요소에서 홍차를 영감으로 작업했다. 클래식한 헤링본 목재 바닥은 홍차와 밀크티의 컬러를 표현했고 매장 중간중간 화분에 담긴 식물은 차나무를, 가죽 의자는 홍차에 타는 우유와 레몬을 나타낸다 이 컨셉스토어는 ㄱ자 형태의 공간 구조로 한쪽 면에 테이블을, 한쪽 면에는 카운터와 키친을 배치했다. 테이블의 벽면은 홍차(紅茶)라는 스토어의 아이덴티티에 걸맞게 붉은 컬러로 도장했다. 이 벽에는 글라스에 담긴 여러 종류의 홍차 모양으로 조명을 설치했는데, 세계적인 수준의 일본 음식 모델링 기술로 탄산 홍차, 과일 홍차 등 Milk. Black. Lemon에서 맛볼 수 있는 여러 홍차 음료들을 각각 농도와 톤에 따라 똑같이 구현해 인테리어 소품으로 활용했다는 것에서 재미있고 독특한 분위기가 연출된다. This concept store was launched recently by Kirin Gogo no Kocha, one of Japan’s leading black tea brands. In contrast to the world of coffee, where there seems to be a constant stream of new concepts, not much happens in the world of tea. This shop was designed as a place to start making black tea news. In order to create a novel space completely different from the typical chic, subdued tea salon, we turned to tea as the inspiration for all aspects of the design. The colors used in the classic herringbone flooring represent black tea and tea with milk. The potted plants are tea trees, the chairs are upholstered in leather the color of tea with milk and tea with lemon, and the other furniture and finishes also feature a tea-inspired palette. The red color is taken directly from Kirin’s tea packaging, while the cushions are dyed with three types of black tea leaves. The “tea lights” in the seating area and above the tea servers use Japan’s world-class food modeling technology to meticulously recreate the many variations on black tea served at the shop, including carbonated tea drinks, fruit tea drinks, layered teas, and of course tea brewed from various leaves. The tea house is literally illuminated by the many colors of black tea. Nothing in the shop—including the hanging chairs in shades of milk and milk-tea—resembles what one might find in a typical tea salon, but everything is inspired by tea. It’s all designed to offer a relaxing new kind of black tea experience.

Open House

방콕에 위치한 Open House(오픈 하우스)는 약 1,400평 규모의 거대한 복합 공간이다. 크리에이티브하면서도 친근한 공간을 컨셉으로 하는 이곳은 2개 층을 통합한 높은 천장을 특징으로 하며, 레스토랑과 라운지, 바, 갤러리, 스토어, 도서관, 업무 공간 등을 모두 갖추고 있다. 누구나 편하게 쉬었다 갈 수 있고, 휴식을 취하면서도 영감을 얻을 수 있는 공간으로 기획했으며, 사람들에게 언제나 놀고 싶은 장소, 일하고 싶은 곳, 식사와 음료를 즐기며 편하게 머무르다 갈 수 있는 공간으로 완성되었다. 오늘날, 특히 아시아권에서는 매일 똑같고 바쁜 일상, 복잡한 거리 등으로 대도시는 방문하거나 살아가는 사람들에게 갑갑하고 숨 막히는 곳으로 느껴지곤 한다. 오픈 하우스는 이런 문제점에 대한 해결책으로 제시된 힐링 스페이스로, 여유를 즐기며 모든 니즈를 충족시켜줄 완벽한 공간이다. 수많은 공간과 편의 시설로 하나의 마을처럼 구성된 오픈 하우스는 목재와 나뭇잎 패턴, 식물 등이 사용되어 건강하고 따스한 분위기를 가진다. 높은 탑처럼 쌓아 올려진 책장과 거울로 마감된 주위의 천장은 공간을 더욱 웅장하고 화려하게 느껴지게 한다. 서점은 레스토랑과 완벽하게 통합되어 사람들이 자유롭게 이용할 수 있으며, 식음료와 함께 편하게 앉아 독서를 즐길 수 있다는 점에서 북카페를 연상케 하기도 한다. 오픈 하우스의 장점 중 하나는 실내에서도 자연을 만끽할 수 있다는 점이다. 벽면이 유리창으로 되어있어 중앙 대사관 근처 풀숲이 우거진 전경을 보며 독서를 즐길 수 있으며, 이는 마치 울창한 숲 속에서 독서를 하는 듯한 기분을 느끼게 해준다. 오전 10시부터 오후 10시까지 사람들의 안식처가 되어주는 오픈 하우스는 낮에는 밝고 활기찬 분위기를 풍기고, 저녁이 되면 은은한 조명과 어스름한 불빛으로 로맨틱하고 고요한 느낌을 준다. 도서관 뒤편에는 공동 작업공간인 ‘The Green House’가 있으며, 별도로 회의실이 마련되어 있어 조용히 업무를 볼 수 있다. 천장 가득 수 놓인 약 9,600개의 나뭇잎 패턴은 오픈 하우스의 상징적 요소로 공간에 예술성을 부여하는데, 이는 외부의 녹지를 내부로 확장한 것으로 자연 친화적이고 산뜻한 느낌으로 이어진다. 업무공간부터 쇼핑, 독서, 어린이를 위한 식당까지 진정 모두를 위한 공간인 오픈 하우스는 갑갑한 도시의 휴양지로 언제나 쉬어갈 수 있는 따뜻하고 편안한 공간이다. Open House is located in the Central Embassy complex 50m above Bangkok. Within this vast 4,600sqm double-height interior, a village of spaces has been created, each with a familiar human scale - restaurants, lounges, bars, galleries, stores, pop-ups, libraries and workspaces that all seamlessly fit together. A space that anyone can feel comfortable in, feel at home in, spend all day in, relax in and be inspired in. A place to hang out, a place to play, a place to catch up on work and a place to eat and drink. The brief revolved around fourteen restaurants and bars, a bookstore, a co-working space, a kid’s space and various communal areas. With so many components and functions it became clear right from the outset that navigation was the key to the project. The towers are clad in a family of different timber fretwork patterns; the variety in these patterns serves to change the way light passes through the towers as you move through the space. During the day the towers seem more solid while at night they dissolve, creating interesting layering effects and moiré patterns. Mirrored panels on the ceiling around the towers make them appear to extend beyond the space and also break down the immensity of the ceiling. Open House also includes ‘the greenhouse’ a co-working space which is located behind the book wall and provides a quieter, more secluded space for working as well as a suite of meeting rooms. Food and drinks from any one of the restaurants can be ordered and delivered to your desk. Activating the space with talks, book signings, culinary workshops etc. is key to keeping the space alive and a vital part of the city. ‘The steps’ seating area allows for this kind of activation very easily, whilst also providing a related seating area when it is not being used for events. The kid’s play area is abuzz with noise and fun and there are children-friendly restaurants nearby – Open House truly is for everyone.

Theatro

Theatro는 여러 사람의 꿈을 가득 담을 수 있는 다면적이고 다채로운 공간을 목표로 한 새로운 문화 공간이다. 서점이자 카페, 복합 문화 공간으로 사용되는 이곳은 목표한 대로 다목적 공간으로써 여러 가지 기능을 갖추고 있다. 친환경적이고 건강한 컨셉으로 완성된 이곳은 1910년에 지어진 오래된 건물을 개조해 현대적이고 세련된 변화를 가미했으며, 오래된 극장의 기본적인 구조를 활용해 역사적인 의미를 담고 있다. 우아함이 느껴지는 외관을 지나 들어간 내부는 넓은 카페테리아 및 독서 공간, 테라스로 구성되어 있다. 건강하고 밝은 것을 테마로 하는 만큼 테라스 또한 자연 친화적이고 자유로운 분위기의 공간으로 꾸며졌다. 천장에서부터 길게 늘어뜨린 인더스트리얼 스타일 조명과 화이트 톤의 천장으로 유니크하면서도 따뜻하게 완성된 내부는 1층과 2층으로 나누어져 있다. 넓게 트인 카페테리아와 책장을 실용적으로 진열해 놓은 1층은 원목 테이블과 의자를 배치해 부드러운 느낌을 강조했으며, 천고가 높아 역동성과 웅장함이 느껴진다. 또한, 곳곳에 다양한 크기의 초록 식물을 놓아 자칫 지루할 수 있는 ‘서점’이라는 문화 공간에 화사함과 생기를 더했다. 1층 카페테리아에는 음식을 만들기 위한 주방이 마련되어 있는데, 컨테이너 형태로 연속적인 공간에 독특한 포인트 요소가 되어준다. 블랙 컨테이너 내에서는 복합 문화 공간에서 즐길 수 있는 간단한 음식을 준비할 수 있다. 책과 음식의 공존은 어색한 조합이라고 생각할 수 있지만, Theatro는 이곳을 찾는 사람들이 새로운 꿈을 찾길 바라는 마음에서 시작했기 때문에 사람들이 책과 음식, 음료를 함께 즐기며 문화 생활에 즐거움을 느끼길 바랐다. 회색 계단을 따라 올라가면 도서관과 갤러리의 특징을 묘하게 결합한 듯한 2층 내부를 만나볼 수 있다. 1층보다 톤 다운된 그레이를 많이 활용해 차분함을 풍기며, 천고가 낮아 아늑함이 느껴진다. 한쪽 벽면 전체를 책장으로 구성하고 앞에 테이블을 배치함으로써 도서관처럼 꾸민 메인 공간은 1층을 한눈에 내려다볼 수 있는 탁 트인 시야를 자랑한다. 또한, 옆쪽 벽면에는 예술 작품, 그림 등을 걸어 지루하다는 편견의 도서관 컨셉에 우아하고 고급스러운 갤러리의 느낌을 더했다. 안쪽에는 조용히 독서를 즐길 수 있는 별도의 공간이 마련되어있는데, 벽면 선반에 와인을 진열해 ‘다목적 공간’이라는 건물 컨셉에 부합하도록 했다. Theatro is born from the dream of a new society of youngentrepreneurs, who wished to build a multifaceted space that would be able to fulfil the dream of each one. Therefore, a versatile space emerges, where the bookstore and cultural dissemination merged to a restoration area are the fundamental uses. The chosen building, an old theater hall from 1910, which was abandoned and had suffered several changes over the years, but kept it´s historical meaning. The concern is to bring back the lost identity and recover the original features of the building through an intervention based on the restoration of the old structure and intervening punctually with new construction. Regarding the main façade, keeping the existing alignments, the building seeks to separate from the neighbour through a big vertical window, as a way of reinterpretation of the original volume. The original tiles were cleaned and some adjustments to the windows were made, specially in the main entrance where the original arch was rebuilt. Conceptually it was suggested that there should be no physical barriers between the different interior areas, instead these would be defined by furniture and differences in materials, fulfilling the premise of the proposal, intervening as little as possible at the construction level. This option is clearly assumed in the kitchen volume, which being a new volume in space was treated with corrugated sheet, simulating an industrial container, reinforcing its character as an external element to the pre-existence. This kind of intervention allowed to solve the program, developed in two floors. At the ground level the entrance is a mixed area of cafeteria with bookstore. In the main room the dining area is marked by the bar and wine cellar, clearly new structures with "industrial" character which combined with the furniture distinguishes the areas, giving the character of dynamism requested by the client. The "container" volume houses private service areas as well as the toilets. The lateral hallway is marked by a large bookcase that assumes the main exhibition area which allows access to the upper floor spaces, a wine bar and a multi-purpose space. The selection of materials and construction systems was related to the need to relate existing construction systems and current construction methods.

Parterre One

스위스 북부 바젤(Basel)에 위치한 Paterre One은 빈티지와 인더스트리얼이 조화롭게 어우러진 상업 공간이다. Basel에서도 가장 중심부인 Kaserne Basel에 자리해 있는데, 이곳은 오래전 군대 막사가 있던 곳으로 군대 철수 이후 지난 50년 동안 문화적 요충지로 기능하기도 했다. Paterre One의 가장 특별한 점은 다양한 액티비티가 가능하다는 것이다. 디자이너는 이곳이 단순히 음식만 즐기기는 곳이기보다는 문화생활과 레저가 가능한 즐거운 공간이기를 원했다. 그러한 이념을 바탕으로 해 기존 건물에서 파사드에 변화를 주어 러프함과 모던함을 함께 느낄 수 있는 외관, 색다른 테마의 내부 공간으로 새롭게 태어났다. Paterre One에는 중앙 메인 공간을 기준으로 식사, 음주, 음악감상 등을 위한 개별 공간이 준비되어 있으며, 자연 친화적인 히든 스페이스 겸 테라스가 존재해 다채롭고 화려한 공간 구성을 자랑한다. 건물 중간에 위치한 육각형 천공은 위압적이고 장엄한 느낌을 주는데, 이는 담소를 나눌 수 있는 1층과 최고의 음질로 음악 감상이 가능한 2층을 연결해주는 통로이자 콘크리트와 목재, 금속 등 날 것의 재료를 그대로 사용해 자칫 단순해 보일 수 있는 내부에 독특한 요소로 기능한다. 1층은 대부분 금속 요소가 사용되어 차갑지만 고급스럽고, 기하학적인 도형을 활용한 바 테이블로 세련되고 유니크하다. 어두운 색조를 사용해 깊이감과 차분함을 전달하는 내부는 1층과 2층의 천고 차이로 다이나믹한 분위기를 조성하며, 천고가 낮은 부분에 바 테이블을 배치해 아늑한 분위기에서 술 한잔을 즐길 수 있다. 천장에는 꽃이 핀 듯 수려한 조명이 달려있어 로맨틱함을 자아내며, 이는 러프하고 빈티지한 공간 기본 컨셉에 색다른 포인트가 되어준다. Parterre One is located in Kaserne Basel, a heritage protected ensemble in the heart of Basel. Kaserne used to be military barracks and has been converted into a cultural hub for the last 50 years, since the army left. Our client had a new vision for his corner: he had a restaurant, a bar, and a venue that were next to each other but never worked together. Our mission was to make one cultural and leisure pole with the three of them. Within this frame the project became an architectural geode: an existing building with refreshed facades and a surprising interior around a thunderbolt gallery. It was obvious to us that the patio had to become a new central space: a meeting room of the different activities (eating, drinking, listening). The patio had always been there but was completely filled up to the point of becoming a hidden space: there is even a small tree that survived the different phases that now sits happily as a protagonist. We cleaned the patio and furnished it with a new dark-colored concrete landscape, not only solving the height difference to the existing floor but also offering sitting spaces. This new discovered space has a cozy touch and sitting benches made with tree trunks, just cut at the right height. The bar needed to be split into two in order to create a wide smoking lounge and a small bar to order your cocktails (by the way, some of the best in town). This smoking lounge is a continuation of the patio, covered with a winter-garden roof that can be opened in summer. The vegetation flows along the space creating a green oasis with wood furniture, including a custom-made wood bench that becomes the star of the night’s conversations. The new venue has very high acoustical standards and provides a new venue for concerts and theater. Its characteristic gallery with broken edge that become meeting niches gives a new strong image, ideal for its use. The upper floor is hung from the new structure, creating a column-free space in the ground floor: almost as if the ceiling were floating. In the upper floor, a custom made element solves the railing, offers a sitting bench, and ends in an extra bar.

Heritage Bakery & Cafe

뉴욕과 대만을 기반으로 하는 건축, 인테리어, 산업, 비주얼 및 보석 디자인 스튜디오 J.C. Architecture는 종합 디자인 회사로, 대만의 인테리어 디자인 상을 포함, 전 세계적 으로 영향력 있는 유명 어워드를 수차례 수상했다. 스튜디오의 설립자인 Johnny Chiu는 미국, 호주, 스웨덴 등 해외 6개국 이상에서 거주하며 일을 했고 디자인 관련 강연으로 유수의 대학으로부터 강연 요청을 받기도 했다. 사회와 인간, 그리고 공간의 상호작용을 통해 좋은 디자인 작업이 이루어진다고 믿는 그는, 한 가족의 내력을 고스란히 간직한 6층짜리 주거용 건물의 1, 2층을 젊은이들이 즐겨 찾는 heritage Bakery & Cafe로 꾸몄다. 본래의 주거용 건물이었던 이곳은 세대에서 세대를 거쳐 내려오다가 클라이언트인 Sally Song의 의뢰로 베이커리 겸 카페로 거듭났다. 건물이 위치한 Hankou 거리는 카메라와 카메라 부품 등을 취급하는 소매상들의 중심지이기도 히다. 이 거리에서 J.C. Architecture의 손을 거쳐 재탄생한 Heritage Bakery & Cafe는 젊은 여행자와 학생들의 만남의 장소가 되었고, 이곳으로 인해 이웃한 상권들도 활기를 되찾을 수 있었다. 이름이 품고 있듯, Heritage Bakery & Cafe는 오랜 기간의 역사를 간직한 유산과도 같은 요소가 많이 남아있다. 디자이너는 이곳의 높지만 좁고 깊은 건물 형태로 인해 카페 내부를 마치 복도와도 같은 컨셉으로 꾸몄다. 또한, 전면부의 커다란 창을 통해 Hankou 거리를 볼 수 있도록 했으며, 이로 인해 길거리 분위기를 그대로 연장시켜 카페 내부로 끌어들인 듯한 효과를 가질 수 있었다. 건물 자체가 지닌 역사성과 그 흔적을 담아내기 위해 내부공간에도 건물의 적벽돌과 타일 등을 그대로 노출시켰고, 이를 통해 오래된 것이 지닌 아름다움을 현세대에서도 표현해냈다.깊숙한 형태의 실내 공간에 확장감을 주기 위해 화이트 타일과 밝은 원목 소재를 곳곳에 활용했고 1층의 천정 일부를 개방했다. 오래된 트렁크나 캐비닛, 슈트 케이스 등 Sally Song의 할아버지로부터 물려받은 물건들이 한 켠을 차지하고 있으며 공간의 한쪽 벽면은 오래된 창 프레임, 서랍, 그릴 등을 설치해 화이트 컬러로 멋을 냈다. J.C. Architecture의 설립자이자 리드 디자이너인 Johnny Chiu는 한때는 빛이 났지만 지금은 소실된 소품들, 클라이언트의 선대로부터 물려받은 ‘유산(Heritage)’이 지닌 아름다움과 역사성을 공간 안에 담아내기를 원했고, 이곳을 찾는 많은 이들의 호평이 그 노력의 성공을 증명한다. In its previous life, a residential building passed on from generation to generation is the chosen site for the bakery and café owner, Sally Song. Later on, the street became a hub for camera and gadgets-alike retailers. As the neighborhood revitalizes and becomes a destination for young travelers and students meet-up place, we aimed to open the six floor shophouse as a Bakery & Cafe place. Inspired by the height and narrowness of the site, we envisioned the space as an alleyway, a continuation of the streetscape in Taipei city. Aims to recapture the traces of building’s history, exposes its bare walls full of red bricks and tiles to the space, purposely to reveal the old time beauty to the present. In reference to outdoor farmer's market and its daily preparations, we inserted a vending stall-like structure within a wooden box, as crates are used to deliver the fresh goods. Also relate to the neighborhood surrounded by camera shops features, we use industrial details such as the metal structures the overlap each other giving a depth perception of a viewfinder. Tables are hung along the wall as street light posts, while a long family style table bridges over the void that links the first and second floor. Along the void we added a vertical mural, a concrete layer to display future artist works and bakery’s daily special. Engaging a combination of traditional and raw style in high contrast with new and modern materials, Heritage Bakery & Cafe is where people take their daily commute, the alley like space become a pleasant stop for quick meals, coffee, or small gatherings. Signs of the memories and times be created and passed through generations in the space, is now timeless and beautiful.

Yongqing Square Lingnan traditional tea culture experience places

Tea Fu Yun: tea ceremony spirit, pure elegance and pure, basic for the rhyme, the ceremony for its virtue, and for its Road. The case is located in the old city of Guangzhou Xiguan, bluestone floor, gray brick gray tile of the old building, even more in the bustling city, big faint in the city of quiet. Designers in a narrow space to create a different space experience, different tea partition, with a different experience, a person is tea and tea dialogue, two people drink tea, is the exchange of people, There is a card position, the height of the hut, tatami, and further meet the people's privacy requirements. And clever use of buildings between the narrow, creating water view bamboo. With environmental protection, natural, low-carbon material purpose to build space, which extensive use of bamboo elements of the original building cement wall, so that the combination of nature and industry to release a balance and modern elements, to create a quiet Zen tea house , The use of narrow light, so that space is more a mysterious and quiet. There are bamboo, accompanied by tea, the perception of tea and the dialogue between people, ironing posts city noise, the digestion of people's anxiety and fatigue. With the traditional Chinese cursive for the blueprint, with bamboo for ink, in space to write, the formation of a unique space device art, rough and publicity to the wooden grille with the formation of straight lines and straight contrast Space has a richer sense of hierarchy and rhythm. Everyone has a side of the pure land, about nature, quiet, back Pu, worry-free aesthetic of the environment. A pot of tea, a book, a fragrance will be quiet for half a day.

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